Theological Stains: Art Music and the Zionist Project

Author:   Assaf Shelleg (Assistant Professor of Musicology, Assistant Professor of Musicology, Hebrew University of Jerusalem)
Publisher:   Oxford University Press Inc
ISBN:  

9780197504642


Pages:   480
Publication Date:   12 January 2021
Format:   Hardback
Availability:   To order   Availability explained
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Theological Stains: Art Music and the Zionist Project


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Author:   Assaf Shelleg (Assistant Professor of Musicology, Assistant Professor of Musicology, Hebrew University of Jerusalem)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.90cm , Height: 4.10cm , Length: 16.30cm
Weight:   0.816kg
ISBN:  

9780197504642


ISBN 10:   0197504647
Pages:   480
Publication Date:   12 January 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Acknowledgments Abbreviations List of Music Examples Introduction: Stains? Chapter 1: Non-Biblical Tonalities: Biblocentrism in Modern Hebrew Culture and Its Operatic Undoing Chapter 2: Horizontal Realizations: The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s Chapter 3: Broken Hebrewist Vessels Chapter 4: Compositional Solutions (In the Double Sense of the Word) Notes Index

Reviews

With commanding erudition and analytical grace, Assaf Shelleg traces the dialectical re-emergence of the stains of exile and their crystallization in new, vibrant configurations in Hebrew literature, poetry, and especially art music. * Paul Mendes-Flohr, Professor Emeritus of Jewish Thought at the Hebrew University of Jerusalem and Professor Emeritus of the University of Chicago * In this remarkable book, Assaf Shelleg examines the ways Israeli composers have negotiated the ever-changing ideologies of their state's identity. Drawing on a deep knowledge of historical contexts and repertories from the 1950s to the early 2000s, he addresses the irresolvable tensions - religious and secular, Ashkenazi and Mizrahi, Jewish and Arabic - that have troubled Israeli society since its founding; he demonstrates how these tensions inform compositional strategies even at a fundamental level. Theological Stains is a major contribution to studies of Israeli cultural history and a model for contextual music analysis. * Susan McClary, Fynette H. Kulas Professor of Music, Case Western Reserve University. MacArthur Fellow, 1995 *


In this remarkable book, Assaf Shelleg examines the ways Israeli composers have negotiated the ever-changing ideologies of their state's identity. Drawing on a deep knowledge of historical contexts and repertories from the 1950s to the early 2000s, he addresses the irresolvable tensions - religious and secular, Ashkenazi and Mizrahi, Jewish and Arabic - that have troubled Israeli society since its founding; he demonstrates how these tensions inform compositional strategies even at a fundamental level. Theological Stains is a major contribution to studies of Israeli cultural history and a model for contextual music analysis. * Susan McClary, Fynette H. Kulas Professor of Music, Case Western Reserve University. MacArthur Fellow, 1995 * With commanding erudition and analytical grace, Assaf Shelleg traces the dialectical re-emergence of the stains of exile and their crystallization in new, vibrant configurations in Hebrew literature, poetry, and especially art music. * Paul Mendes-Flohr, Professor Emeritus of Jewish Thought at the Hebrew University of Jerusalem and Professor Emeritus of the University of Chicago *


Author Information

Assaf Shelleg is Assistant Professor of Musicology at the Hebrew University of Jerusalem. His award-winning first book, Jewish Contiguities and the Soundtrack of Israeli History (OUP, 2014) examines the emergence of modern Jewish art music in Central and Western Europe in the early twentieth century and its translocation to Palestine/Israel from the 1930s through the 1970s. It was translated into German in 2017 with Mohr Siebeck.

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