Theodor Adorno and Film Theory: The Fingerprint of Spirit
Author:   B. Wall
Publisher:   Palgrave Macmillan
ISBN:  

9781137306135


Pages:   173
Publication Date:   18 March 2013
Format:   Hardback
Availability:   In Print   Availability explained
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Theodor Adorno and Film Theory: The Fingerprint of Spirit


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Full Product Details

Author:   B. Wall
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 1.00cm , Length: 21.60cm
Weight:   3.403kg
ISBN:  

9781137306135


ISBN 10:   1137306130
Pages:   173
Publication Date:   18 March 2013
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Introduction: The Fingerprint of Spirit 1. The Subject/Object of Cinema: The Maltese Falcon (1941) 2. ""A Deeper Breath"": From Body to Spirit in Kiss Me Deadly (1955) 3. Negative Dioretix: Repo Man (1984) 4. ""Jackie Treehorn Treats Objects Like Women!"": Two Types of Fetishism in The Big Lebowski (1988)"

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Author Information

Brian Wall is an assistant professor in the Cinema Department at Binhamton University, SUNY.

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