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Anne M. Carpenter turns a lot of difficult and abstruse research about Hans Urs von Balthasar in the scholarly literature into a lively and readable book. The volume achieves the goal of explaining the poetic form of von Balthasar's writing, tracing it back to the centrality of the concept of expression in his philosophical theology. The special value of the book is that it explains new developments of von Balthasar and recent objections to von Balthasar in a way that makes them accessible, gathering a lot of diverse scholarship into a single quite short book. -- Francesca Murphy This is a beautifully written work engaging von Balthasar's attempt to wed aesthetics back into the essence of theology. Carpenter presents a sophisticated and creative study of the importance of the aesthetics of the written word in order to reveal the importance of von Balthasar's project but also to advance it. The work presents a clear overview of the heart of von Balthasar's work, but also a fresh application of it through an analysis of poetry. The book provides a rich source for contemplating the eternal Word, God's most creative act of poetry uttered eternally. -- John Dadosky The author seeks to give a positive rather than a critical account of Balthasar's epistemology. To that end she not only draws on a wide range of the famous theologian's writings but also on much of the secondary literature. -- Theology How do we value the theological in artistic works? In this book Anne Carpenter creates a significant map to the expansive landscape proposed by theological aesthetics. As she reenacts the interplay of poetry and philosophy yielding theology in von Balthasar and his interlocutors, Carpenter points toward the incarnated beauty of human creativity and the inherent unity of reason and heart. Through her careful 'untangling' of the role of the poetic in making theologizing possible, Carpenter confers gravitas on the utterances of artists known and unknown, whose creative abundance overflows and provides us new and important vistas into the in-breaking glory of God. -- Cecilia Gonzalez-Andrieu

Anne M. Carpenter turns a lot of difficult and abstruse research about Hans Urs von Balthasar in the scholarly literature into a lively and readable book. The volume achieves the goal of explaining the poetic form of von Balthasar's writing, tracing it back to the centrality of the concept of expression in his philosophical theology. The special value of the book is that it explains new developments of von Balthasar and recent objections to von Balthasar in a way that makes them accessible, gathering a lot of diverse scholarship into a single quite short book. -Francesca Murphy, University of Notre Dame

How do we value the theological in artistic works? In this book Anne Carpenter creates a significant map to the expansive landscape proposed by theological aesthetics. As she reenacts the interplay of poetry and philosophy yielding theology in von Balthasar and his interlocutors, Carpenter points toward the incarnated beauty of human creativity and the inherent unity of reason and heart. Through her careful 'untangling' of the role of the poetic in making theologizing possible, Carpenter confers gravitas on the utterances of artists known and unknown, whose creative abundance overflows and provides us new and important vistas into the in-breaking glory of God. -- Cecilia Gonzalez-Andrieu The author seeks to give a positive rather than a critical account of Balthasar's epistemology. To that end she not only draws on a wide range of the famous theologian's writings but also on much of the secondary literature. -- Theology This is a beautifully written work engaging von Balthasar's attempt to wed aesthetics back into the essence of theology. Carpenter presents a sophisticated and creative study of the importance of the aesthetics of the written word in order to reveal the importance of von Balthasar's project but also to advance it. The work presents a clear overview of the heart of von Balthasar's work, but also a fresh application of it through an analysis of poetry. The book provides a rich source for contemplating the eternal Word, God's most creative act of poetry uttered eternally. -- John Dadosky Anne M. Carpenter turns a lot of difficult and abstruse research about Hans Urs von Balthasar in the scholarly literature into a lively and readable book. The volume achieves the goal of explaining the poetic form of von Balthasar's writing, tracing it back to the centrality of the concept of expression in his philosophical theology. The special value of the book is that it explains new developments of von Balthasar and recent objections to von Balthasar in a way that makes them accessible, gathering a lot of diverse scholarship into a single quite short book. -- Francesca Murphy

Anne M. Carpenter turns a lot of difficult and abstruse research about Hans Urs von Balthasar in the scholarly literature into a lively and readable book. The volume achieves the goal of explaining the poetic form of von Balthasar's writing, tracing it back to the centrality of the concept of expression in his philosophical theology. The special value of the book is that it explains new developments of von Balthasar and recent objections to von Balthasar in a way that makes them accessible, gathering a lot of diverse scholarship into a single quite short book. --Francesca Murphy, University of Notre Dame

Author Information

Anne M. Carpenter is assistant professor of Catholic systematic theology at Saint Mary's College of California.

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