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9780199744350

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-Solis's arguments are compelling and wide ranging, covering the specifics of this concert and recording but reiterating essential points for jazz studies research pertaining to the musical work, issues of authenticity and reproduction, nostalgia and reissued recordings, and academic institutionalization, among others, that make the book applicable and engaging beyond just the scope of its primary object of study.---Twentieth-Century Music

"""Solis's arguments are compelling and wide ranging, covering the specifics of this concert and recording but reiterating essential points for jazz studies research pertaining to the musical work, issues of authenticity and reproduction, nostalgia and reissued recordings, and academic institutionalization, among others, that make the book applicable and engaging beyond just the scope of its primary object of study.""--Twentieth-Century Music"

Author Information

Gabriel Solis is Associate Professor of music, African American studies, and anthropology at the University of Illinois. A scholar of jazz, American popular music, and the transnational politics of race, his work has appeared in leading journals of ethnomusicology, music history, and sociology. He is the author of Monk's Music: Thelonious Monk and Jazz History in the Making (California, 2008), co-editor with Bruno Nettl of Musical Improvisation: Art, Education, and Society (Illinois, 2009), and author of a forthcoming book on singer, songwriter, and performing artist, Tom Waits titled Sounding America: Gender, Genre, Memory, and the Music of Tom Waits (California).

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