Overview
Works of theatre that depict grievous histories derive their force from making audible voices of the past. Such performances, theatrical or tourist, require the attentive belief of spectators. This engaging new study explores how theatricality works in each instance and how 'playing the part' of the listener can be understood in ethical terms.
Full Product Details
Author: E. Willis
Publisher: Palgrave Macmillan
Imprint: Palgrave Macmillan
Dimensions:
Width: 14.00cm
, Height: 2.00cm
, Length: 21.60cm
Weight: 4.188kg
ISBN: 9781137322647
ISBN 10: 1137322640
Pages: 251
Publication Date: 22 April 2014
Audience:
College/higher education
,
Postgraduate, Research & Scholarly
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
Emma Willis's worthy project, Theatricality, Dark Tourism and Ethical Spectatorship, places works for the theatre in dialogue with place-based memorials. Willis offers us practice-centered analysis for diverse objects of study. Following Willis as she takes on the challenges of these ethical/aesthetic encounters, readers will appreciate the book's ethorough research, sound argumentation, and elegant prose. An ambitious project effectively realized, this is insightful scholarship about a timely subject. - Laurie Beth Clark, University of Wisconsin, USA
"""Emma Willis's worthy project, Theatricality, Dark Tourism and Ethical Spectatorship, places works for the theatre in dialogue with place-based memorials. Willis offers us practice-centered analysis for diverse objects of study. Following Willis as she takes on the challenges of these ethical/aesthetic encounters, readers will appreciate the book's ethorough research, sound argumentation, and elegant prose. An ambitious project effectively realized, this is insightful scholarship about a timely subject."" - Laurie Beth Clark, University of Wisconsin, USA"
""Emma Willis's worthy project, Theatricality, Dark Tourism and Ethical Spectatorship, places works for the theatre in dialogue with place-based memorials. Willis offers us practice-centered analysis for diverse objects of study. Following Willis as she takes on the challenges of these ethical/aesthetic encounters, readers will appreciate the book's ethorough research, sound argumentation, and elegant prose. An ambitious project effectively realized, this is insightful scholarship about a timely subject."" - Laurie Beth Clark, University of Wisconsin, USA
Author Information
Emma Willis is an academic and artist based in Aotearoa New Zealand where she teaches Drama at the University of Auckland. In addition to publishing performance criticism, she works as a writer, director and dramaturge in theatre, dance and radio.
