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9780810148444

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Reviews

""With a clear, eloquent tone and keen instinct for accessible storytelling, Alisa Ballard Lin connects incisive analyses of epoch-making Russian and Soviet theatrical innovations with essential, burning questions of psychology, philosophy, and concepts of the self."" - Dassia N. Posner, Northwestern University ""Alisa Ballard Lin's lucid style deftly reveals the depth and breadth of her bountiful research. This is a masterful work of scholarship, essential reading for anyone interested in core questions about theater, acting, and cultural history."" - David Chambers, Yale University

""With a clear, eloquent tone and keen instinct for accessible storytelling, Alisa Ballard Lin connects incisive analyses of epoch-making Russian and Soviet theatrical innovations with essential, burning questions of psychology, philosophy, and concepts of the self."" --Dassia N. Posner, Northwestern University

Author Information

Alisa Ballard Lin is an assistant professor in the Department of Slavic and East European Languages and Cultures at the Ohio State University. She is the translator and editor of Sigizmund Krzhizhanovsky's That Third Guy: A Comedy from the Stalinist's with Essays on Theater.

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