Theatre/Theory/Theatre: The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel

Author:   Daniel Gerould
Publisher:   Hal Leonard Corporation
ISBN:  

9781557835277


Pages:   496
Publication Date:   01 August 2003
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Theatre/Theory/Theatre: The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel


Overview

Available for the First Time in Paperback! From Aristotle's Poetics to Vaclav Havel, the debate about the nature and function of theatre has been marked by controversy. Daniel Gerould's landmark work, Theatre/Theory/Theatre, collects history's most influential Eastern and Western dramatic theorists – poets, playwrights, directors and philosophers – whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries, we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold, and writers such as Nietzsche and Yeats. Each of Gerould's introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka, Corneille to Brecht, this is an indispensable compendium of the greatest dramatic theory ever written.

Full Product Details

Author:   Daniel Gerould
Publisher:   Hal Leonard Corporation
Imprint:   Applause Theatre Book Publishers
Dimensions:   Width: 15.20cm , Height: 3.60cm , Length: 22.80cm
Weight:   0.760kg
ISBN:  

9781557835277


ISBN 10:   1557835276
Pages:   496
Publication Date:   01 August 2003
Audience:   College/higher education ,  Professional and scholarly ,  General/trade ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Author Information

Daniel Gerould is the Lucille Lortel Distinguished Professor of Theatre and Comparative Literature at the City University of New York. He is the author of Guillotine: Its Legend and Lore, as well as the editor of Slavic and East European Performances and the Polish and Eastern European Theatre Archives for Harwood.

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