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OverviewFull Product DetailsAuthor: Augusto BoalPublisher: Pluto Press Imprint: Pluto Press Edition: 4th edition Weight: 0.264kg ISBN: 9780745339290ISBN 10: 0745339298 Pages: 208 Publication Date: 20 March 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Language: English Table of ContentsPreface to 2008 edition Preface to 2000 edition Preface to 1974 edition 1. Aristotle's Coercive System of Tragedy 2. Machiavelli and the Poetics of Virtu 3. Hegel and Brecht: The Character as Subject or the Character as Object? 4. Poetics of the Oppressed 5. Development of the Arena Theater of Sao Paulo Appendices IndexReviews'Boal's terrific energy came from his The book that started a revolution in modern theatre.faith in the creativity, spontaneity and ability of all people, however underprivileged, to change their situation' -- The Guardian 'Should be read by everyone in the world of theatre who has any pretensions at all to political commitment' -- John Arden, playwright '[His] achievement is so remarkable, so original and so ground-breaking that I have no hesitation in describing the book as the most important theoretical work on the theatre in modern times' -- George Wellwarth, author of Modern Drama and the Death of God 'Oppression, according to Augusto Boal, is when one person is dominated by the monologue of another and has no chance to reply. Boal's life is devoted to giving those who are in this one-down position the tools with which to express themselves and discover a way out of their powerlessness' -- The Harvard Gazette 'An affable intellectual and an effervescent teacher, [Boal] was a theatrical Johnny Appleseed who spent his later years spreading his doctrines of the theater as a land of equal opportunity for professionals and nonprofessionals alike' -- The New York Times 'An affable intellectual and an effervescent teacher, [Boal] was a theatrical Johnny Appleseed who spent his later years spreading his doctrines of the theater as a land of equal opportunity for professionals and nonprofessionals alike' -- The New York Times 'Oppression, according to Augusto Boal, is when one person is dominated by the monologue of another and has no chance to reply. Boal's life is devoted to giving those who are in this one-down position the tools with which to express themselves and discover a way out of their powerlessness' -- The Harvard Gazette '[His] achievement is so remarkable, so original and so ground-breaking that I have no hesitation in describing the book as the most important theoretical work on the theatre in modern times' -- George Wellwarth, author of Modern Drama and the Death of God 'Should be read by everyone in the world of theatre who has any pretensions at all to political commitment' -- John Arden, playwright 'Boal's terrific energy came from his The book that started a revolution in modern theatre.faith in the creativity, spontaneity and ability of all people, however underprivileged, to change their situation' -- The Guardian '[His] achievement is so remarkable, so original and so ground-breaking that I have no hesitation in describing the book as the most important theoretical work on the theatre in modern times' -- George Wellwarth, author of Modern Drama and the Death of God 'Should be read by everyone in the world of theatre who has any pretensions at all to political commitment' -- John Arden, playwight Author InformationAugusto Boal (1931-2009) was a Brazilian theatre practitioner, drama theorist and political activist. He is the author of Theatre of the Oppressed (Pluto Press, 2019). Tab Content 6Author Website:Countries AvailableAll regions |