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OverviewFull Product DetailsAuthor: Iani del Rosario MorenoPublisher: Bloomsbury Publishing Plc Imprint: Lexington Books Dimensions: Width: 14.90cm , Height: 2.30cm , Length: 23.20cm Weight: 0.472kg ISBN: 9781498518079ISBN 10: 1498518079 Pages: 310 Publication Date: 10 April 2017 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsThis is a book about theater in the context of space, specifically the borderland between Mexico and the US, a contended space once considered by the Spanish empire too remote to control. Now the US and Mexican cultures have converged to become 'Amexica,' a conflicted land with profound scars. In each of this book's five chapters Moreno explores a topic attached to a specific population: indigenous groups identified with tribes that inhabited the area before the Spanish arrived; the border crossers with their religious syncretism, trusting saints, and other holy figures to protect them across the desert; the narcos and their violence; women trapped in the world of the maquiladoras or killed by members of sadistic cults in Ciudad Juarez; and, finally, the world of Tijuana, an evolving 'transfrontier' metropolis. The plays discussed showcase the encounter of these unique subcultures, climatic moments providing a background against which frontier people define their daily struggle to survive. Detailed description of the plays and ancillary sociological and historical information are included, bringing the reader into the plays' thematic complexity. A bibliography points to additional interesting sources. Summing Up: Recommended. Upper-division undergraduates through faculty. * CHOICE * Theatre of the Borderlands: Conflict, Violence, and Healing is an insightful and largely overdue study on Mexican theater written and mainly produced in the US-Mexico borderlands. This book makes an important contribution to studies on Mexican Theater as well as Border Studies and Performance Studies, and does so with intellectual engagement coupled with perceptive subjectivity on the subject matter ... A must read for anyone interested in understanding the many hardships and violent realities of Mexican migrants whose stories continue to be marginalized by mainstream narratives in both Mexico and the United States. -- Linda Saborio, Northern Illinois University Iani Moreno's seminal study adeptly interweaves theatrical and real-life stories to expose the genuine drama that takes place on the US-Mexican border and the trauma it provokes. Dr. Moreno's well-informed presentation of more than thirty border plays highlights these innovative and engaging theatrical works at the same time that it documents the physical, psychological, and political tragedies of this historically turbulent region. -- Gail A. Bulman, Syracuse University This is a book about theater in the context of space, specifically the borderland between Mexico and the US, a contended space once considered by the Spanish empire too remote to control. Now the US and Mexican cultures have converged to become 'Amexica,' a conflicted land with profound scars. In each of this book's five chapters Moreno explores a topic attached to a specific population: indigenous groups identified with tribes that inhabited the area before the Spanish arrived; the border crossers with their religious syncretism, trusting saints, and other holy figures to protect them across the desert; the narcos and their violence; women trapped in the world of the maquiladoras or killed by members of sadistic cults in Ciudad Juarez; and, finally, the world of Tijuana, an evolving 'transfrontier' metropolis. The plays discussed showcase the encounter of these unique subcultures, climatic moments providing a background against which frontier people define their daily struggle to survive. Detailed description of the plays and ancillary sociological and historical information are included, bringing the reader into the plays' thematic complexity. A bibliography points to additional interesting sources. Summing Up: Recommended. Upper-division undergraduates through faculty. CHOICE Theatre of the Borderlands: Conflict, Violence, and Healing is an insightful and largely overdue study on Mexican theater written and mainly produced in the US-Mexico borderlands. This book makes an important contribution to studies on Mexican Theater as well as Border Studies and Performance Studies, and does so with intellectual engagement coupled with perceptive subjectivity on the subject matter ... A must read for anyone interested in understanding the many hardships and violent realities of Mexican migrants whose stories continue to be marginalized by mainstream narratives in both Mexico and the United States. -- Linda Saborio, Northern Illinois University Iani Moreno's seminal study adeptly interweaves theatrical and real-life stories to expose the genuine drama that takes place on the US-Mexican border and the trauma it provokes. Dr. Moreno's well-informed presentation of more than thirty border plays highlights these innovative and engaging theatrical works at the same time that it documents the physical, psychological, and political tragedies of this historically turbulent region. -- Gail A. Bulman, Syracuse University Author InformationIani Moreno is associate professor of Spanish and Portuguese at Suffolk University where she also directs university productions of contemporary Latin American plays. Tab Content 6Author Website:Countries AvailableAll regions |