Theatre History Studies 2021, Volume 40

Author:   Lisa Jackson-Schebetta ,  Angela K. Ahlgren ,  Jane Barnette ,  David Bisaha
Publisher:   The University of Alabama Press
ISBN:  

9780817371159


Pages:   256
Publication Date:   30 January 2022
Format:   Paperback
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Theatre History Studies 2021, Volume 40


Overview

A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference

Full Product Details

Author:   Lisa Jackson-Schebetta ,  Angela K. Ahlgren ,  Jane Barnette ,  David Bisaha
Publisher:   The University of Alabama Press
Imprint:   The University of Alabama Press
Dimensions:   Width: 15.20cm , Height: 1.70cm , Length: 22.80cm
Weight:   0.412kg
ISBN:  

9780817371159


ISBN 10:   081737115
Pages:   256
Publication Date:   30 January 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

Introduction—LISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL PART I STUDIES IN THEATRE HISTORY Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason—ODAI JOHNSON Caricatured, Marginalized,and Erased: African American Artists and Philadelphia’s Negro Unit of the FTP, 1936–1939—JONATHAN SHANDELL Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins’s Appropriate—SCOTT PROUDFIT Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance—ANGELA K. AHLGREN PART II WITCH CHARACTERS AND WITCHY PERFORMANCE Editor’s Introduction to the Special Section Shifting Shapes: Witch Characters and Witchy Performances—CHRYSTYNA DAIL To Wright the Witch: The Case of Joanna Baillie’s Witchcraft—JANE BARNETTE Nothing Wicked This Way Comes: Shakespeare’s Subversion of Archetypal Witches in The Winter’s Tale—JESSICA HOLT Of Women and Witches: Performing the Female Body in Caryl Churchill’s Vinegar Tom—MAMATA SENGUPTA (Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba’s Heroine Journey in Wicked—REBECCA K. HAMMONDS Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell—DAVID BISAHA PART III Essay from the Conference The Robert A. Schanke Award-Winning Essay, MATC 2020 New Conventions for a New Generation: High School Musicals and Broadway in the 2010s—LINDSEY MANTOAN

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Author Information

Lisa Jackson-Schebetta is Theater Department Chair and associate professor of history & theater at Skidmore College. She is President of the American Theatre and Drama Society.

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