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OverviewFull Product DetailsAuthor: Georgina Guy (Royal Holloway University London, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.20cm , Height: 1.80cm , Length: 22.90cm Weight: 0.453kg ISBN: 9781138832879ISBN 10: 1138832871 Pages: 212 Publication Date: 02 May 2016 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction: Displaying Performance 1. Performer & Exhibit: Theatrical Conditions 2. Theatre & Gallery: Turning Away From Performance 3. Visitor & Performer: The Return of the Relational 4. Gesture & Object: Digital Display and Arrested Attention. Conclusion: Final MovementReviewsGuy draws together the connecting threads of space, time, and audience to offer a thought-provoking account of the works of artists, curators, and commentators on the shared and often contested territory of the event and the audience in theatre, performance, and modern art. -- Kate Dorney, New Theatre Quarterly 'Theatre, Exhibition, and Curation is a remarkable contribution to the field of theatre and performance studies' -- Bryony White, Theatre Journal Where Guy attempts a new trajectory of discourse is in establishing an optic for exhibitions and performances that shrug off... the discrete categories of displayed and performed, plumbing instead the blurry and dynamic space of productive frictions in between. -- Scott Magelssen, Theatre Survey 'Theatre, Exhibition, and Curation contributes with clarity and rigour to a growing field of scholarship and curatorial practice that seeks to explore the complex connections between performance and visual arts practice.' -- Harriet Curtis, Contemporary Theatre Review ""Guy draws together the connecting threads of space, time, and audience to offer a thought-provoking account of the works of artists, curators, and commentators on the shared and often contested territory of the event and the audience in theatre, performance, and modern art."" -- Kate Dorney, New Theatre Quarterly 'Theatre, Exhibition, and Curation is a remarkable contribution to the field of theatre and performance studies' -- Bryony White, Theatre Journal ""Where Guy attempts a new trajectory of discourse is in establishing an ""optic"" for exhibitions and performances that shrug off… the discrete categories of displayed and performed, plumbing instead the blurry and dynamic space of ""productive frictions"" in between."" -- Scott Magelssen, Theatre Survey ‘Theatre, Exhibition, and Curation contributes with clarity and rigour to a growing field of scholarship and curatorial practice that seeks to explore the complex connections between performance and visual arts practice.’ -- Harriet Curtis, Contemporary Theatre Review 'Theatre, Exhibition, and Curation is a remarkable contribution to the field of theatre and performance studies' - Theatre Journal 'Theatre, Exhibition, and Curation is a remarkable contribution to the field of theatre and performance studies' - Theatre Journal Author InformationGeorgina Guy is Lecturer in Theatre and Performance in the Department of Drama and Theatre at Royal Holloway, University of London, UK. Tab Content 6Author Website:Countries AvailableAll regions |