Theatre Censorship in Britain: Silencing, Censure and Suppression
Author:   H. Freshwater
Publisher:   Palgrave Macmillan
ISBN:  

9780230223783


Pages:   212
Publication Date:   08 April 2009
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Theatre Censorship in Britain: Silencing, Censure and Suppression


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Full Product Details

Author:   H. Freshwater
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 1.60cm , Length: 21.60cm
Weight:   0.454kg
ISBN:  

9780230223783


ISBN 10:   0230223788
Pages:   212
Publication Date:   08 April 2009
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

List of Illustrations Acknowledgements Introduction London's Grand Guignol: Sex, Violence and the Negotiation of the Limit The Representation of Reproduction: Marie Stopes and the Female Body Suppressed Desire: Dramatic Inscriptions of Lesbianism Soldiers : Playing with History Mary Whitehouse, The Romans in Britain , and 'the Rape of our Senses' Section 28: Contagion, Control and Protest Capital Constraint: the Right to Choose? Competing Fundamentalisms: Behzti , Freedom of Speech, Sacrilege and Silencing Conclusion Notes Bibliography Index

Reviews

'...Freshwater has provided us with an excellent and wide-ranging study which will no doubt inspire scholars and students alike and will have a genuine and long-term impact on the discipline.' - Maggie B. Gale, New Theatre Quarterly


Author Information

HELEN FRESHWATER lectures at Birkbeck College, University of London, UK, where she specializes in twentieth-century British theatre and contemporary performance. She is author of Theatre and Audience.

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