Theatre and Dictatorship in the Luso-Hispanic World

Author:   Diego Santos Sánchez
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367735579


Pages:   264
Publication Date:   18 December 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Theatre and Dictatorship in the Luso-Hispanic World


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Author:   Diego Santos Sánchez
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.500kg
ISBN:  

9780367735579


ISBN 10:   0367735571
Pages:   264
Publication Date:   18 December 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Weaving the Luso-Hispanic Fabric: an Entangled World of Dictatorial Constraints and Theatrical Responses Diego Santos Sánchez (Universidad de Alcalá) | Policies/Practices | Theatre Censorship and Foreign Drama in Estado Novo Portugal during the Spanish Civil War and the Second World War Zsófia Gombár (Universidade de Lisboa) Censorship on the Brazilian Scene: the ""Distribution of the Sensible"" and Art as a Political Force Maria Cristina Castillo Costa and Walter de Sousa Junior (Universidade de São Paulo) José Tamayo: Foreign Policy and Cultural Opportunism Carey Kasten (Fordham University) Galician Independent Theatre: a Breach in Franco's Dictatorship Cilha Lourenço Módia (Universidade da Coruña) The Aftermath of Dictatorship in Contemporary Basque Theatre Arantzazu Fernández Iglesias (Universidad Nacional Española a Distancia, UNED) | Performance | Are All Tyrannies the Same? Rebellion Against Spanish Oppression as a Reenactment of Resistance to Totalitarianism in Marcos’ Philippines Rocío Ortuño Casanova (Universiteit Antwerpen) Puppet theatre as response to dictatorship in Catalonia and Chile Cariad Astles (Royal Central School of Speech and Drama/University of Exeter) Dagoll Dagom’s No hablaré en clase, a Postdramatic Response to Francoism David Rodríguez Solás (University of Massachusetts Amherst) The politics of community and place in o bando’s Nós Matámos o Cão Tinhoso! Vanessa Silva Pereira (Independent Scholar) | Texts | Bridging Literary Traditions in the Hispanic World: Equatorial Guinean Drama and the Dictatorial Cultural-Political Order Elisa Rizo (Iowa State University) Soldiers Without Orders, Actors Without Stages: Carlos Manuel Varela’s Interrogatorio en Elsinore and Bosco Brasil’s Novas diretrizes em tempos de paz Katya Soll (Baker University, Kansas, USA) Complicitous Acts in Argentina’s Theater: La nona and De a uno Ariel Strichartz (St. Olaf College) Paraguay between Dictatorships: El Edificio, an Unknown Play by Josefina Plá Yasmina Yousfi (Universitat Autònoma de Barcelona, Spain) Negotiating Sexuality and Censorship in Las sábanas by José Corrales Lourdes Betanzos (Auburn University) Appropriating the Past Under Somoza and the Sandinistas: the Polyvalent Sign of El Güegüence E.J. Westlake (University of Michigan-Ann Arbor)"

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Diego Santos Sánchez is a researcher at the Universidad de Alcalá, Spain.

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