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OverviewThis second volume of Theaters and Public Sphere in a Global and Digital Society offers several different case studies in their relationship with society. Also here, the focus is the fundamental contribution that artistic and cultural forms bring to social dynamics and how these can consolidate cohabitation and create meaningfullness, in addition to fulfilling economic and regulatory needs. As symbolic forms of collective social practices, artistic and cultural forms weave the meaning of a territory, a context, and a people, but also of the generations who traverse these same cultures. These forms of meaning interact with the social imagery, mediate marginalization, transform barriers into bridges, and are the indispensable tools for any social coexistence and its continuous rethinking in everyday life. Contributors are: Claudio Bernardi, Marco Bernardi, Massimo Bertoldi, Martina Guerinoni, Mara Nerbano, Chiara Pasanisi, Benedetta Pratelli, Roberto Prestigiacomo, Ilaria Riccioni, Daniela Salinas Frigerio, Eleonora Sparano, Emanuele Stochino, Matteo Tamborrino, Tiziana Tesauro, Katia Trifirò, Alessandro Tolomelli, and Andrea Zardi. Full Product DetailsAuthor: Ilaria RiccioniPublisher: Brill Imprint: Brill Volume: 236 Weight: 0.541kg ISBN: 9789004526167ISBN 10: 9004526161 Pages: 230 Publication Date: 22 December 2022 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsPreface Acknowledgements List of Figures and Tables Notes on Contributors 1 The Impact of Theatre in a Multilingual Province The Case of the Teatro Stabile of Bolzano between New and Old Generations Ilaria Riccioni 2 The Anomaly of the Teatro Stabile of Bolzano A Public Theater on the Border, between Different Languages and Cultures Marco Bernardi 3 State Theater of Bolzano. 70 years History and Shows in a Book Massimo Bertoldi 4 The Interviews for the Research on the Teatro Stabile di Bolzano Some Methodological Considerations Eleonora Sparano 5 Social Theatre, a Polyphonic Dramaturgy of the Community Claudio Bernardi 6 From the Creative Process to the Relationship with the City The Theatre of the ‘Margin’ by the Carullo-Minasi Company (Messina, 2011–2021) Katia Trifirò 7 Theatre Festivals and Urban Public Border Crossing Practices in Comparison Benedetta Pratelli 8 A Relational Theatre Fabrizio Crisafulli’s “Theatre of Places” Mara Nerbano 9 Introducing Performing Human Rights Roberto Prestigiacomo 10 On Stage without a Script A Theatrical Workshop for Professional Training Tiziana Tesauro 11 The Theater of the Oppressed as a Martial Art Theatre, Community, Pedagogy and Politics Alessandro Tolomelli 12 Pier Paolo Pasolini and the Theatre of the Word Emanuele Stochino 13 Dramaturgies of Distancing Dance and Public Space in the Covid Era Andrea Zardi 14 La Trilogia del naufragio by Lina Prosa Dramaturgy and Poetic of Inclusion Chiara Pasanisi 15 The Lavanderia a Vapore, from Madhouse to Dancehouse A Contemporary Experience of Relationship between Theatrical Space and Territorial Communities Matteo Tamborrino 16 Performing Arts and Practices for the Inclusion of Migrants in Milan Martina Guerinoni 17 Teleaudiencias Teatrales Crisis of a Representation Daniela Salinas Frigerio IndexReviewsAuthor Information"Ilaria Riccioni, Ph.D. (2003) ""La Sapienza"" University of Rome, is Tenured Researcher of General Sociology at the Free University of Bolzano-Bozen. She has published many monographs and articles of social theory and social impact of artistic phenomena including ""Futurism: Anticipating Postmodernism"" (Mimesis International, 2019)" Tab Content 6Author Website:Countries AvailableAll regions |
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