Overview

In The Written World: Space, Literature, and the Chorological Imagination in Early Modern France, Jeffrey N. Peters argues that geographic space may be understood as a foundational, originating principle of literary creation. By way of an innovative reading of chora, a concept developed by Plato in the Timaeus and often construed by philosophical tradition as “space,” Peters shows that canonical literary works of the French seventeenth century are guided by what he calls a “chorological” approach to artistic invention. The chorological imagination describes the poetic as a cosmological event that gives location to - or, more accurately, in Plato's terms, receives - the world as an object of thought. In analyses of well-known authors such as Corneille, Moliére, Racine, and Madame de Lafayette, Peters demonstrates that the apparent absence of physical space in seventeenth-century literary depiction indicates a subtle engagement with, rather than a rejection of, evolving principles of cosmological understanding. Space is not absent in these works so much as transformed in keeping with contemporaneous developments in early modern natural philosophy. The Written World will appeal to philosophers of literature and literary theorists as well as scholars of early modern Europe and historians of science and geography.

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Reviews

What is the relation between literature and the world? In The Written World, Jeffrey Peters vigorously unsettles some answers to that old question. Puncturing a number of critical assumptions about spatiality, Peters turns to various philosophically-engaged figures of space, from Plato to Deleuze, as a way to read the scene of literature's making. In a set of surprising readings of the seventeenth-century canon, Peters stitches together an argument about fiction and geography, travel and the imaginary, and the place of rhetoric in classical texts. La Fontaine spoke of his fables as figuring 'a certain philosophy--subtle, engaging, and bold'--the same is amply true of this brilliant book. The world is better off for having Jeffrey Peters write in it. --Katherine Ibbett, author of Compassion's Edge: Fellow-Feeling and Its Limits in Early Modern France In a set of surprising readings of the seventeenth-century canon, Peters stitches together an argument about fiction and geography, travel and the imaginary, and the place of rhetoric in classical texts. La Fontaine spoke of his fables as figuring 'a certain philosophy--subtle, engaging, and bold'--the same is amply true of this brilliant book. The world is better off for having Jeffrey Peters write in it. --Katherine Ibbett, author of Compassion's Edge: Fellow-Feeling and Its Limits in Early Modern France Jeffrey Peters's new book boldly confronts and explores what has long been hidden in full sight: the crucially important dimension of space in early modern French literature. Geography, landscape, modern urbanism, the significance of major and minor displacements--these facets of culture come into sharp focus in Peters's study. A must-read for all those interested in the French literary tradition. --John D. Lyons, author of Tragedy and the Return of the Dead The most fundamental contribution of this book is its demonstration of how seventeenth-century French literature relates to the material world . . . The Written World has many affinities with the emerging field of environmental humanities. In this respect as well, Peters is a trailblazer and has opened up a new line of inquiry for seventeenth-century French studies. --Lewis C. Seifert, author of Manning the Margins: Masculinity and Writing in Seventeenth-Century France

In a set of surprising readings of the seventeenth-century canon, Peters stitches together an argument about fiction and geography, travel and the imaginary, and the place of rhetoric in classical texts. La Fontaine spoke of his fables as figuring 'a certain philosophy--subtle, engaging, and bold'--the same is amply true of this brilliant book. The world is better off for having Jeffrey Peters write in it. --Katherine Ibbett, author of Compassion's Edge: Fellow-Feeling and Its Limits in Early Modern France Jeffrey Peters's new book boldly confronts and explores what has long been hidden in full sight: the crucially important dimension of space in early modern French literature. Geography, landscape, modern urbanism, the significance of major and minor displacements--these facets of culture come into sharp focus in Peters's study. A must-read for all those interested in the French literary tradition. --John D. Lyons, author of Tragedy and the Return of the Dead The most fundamental contribution of this book is its demonstration of how seventeenth-century French literature relates to the material world . . . The Written World has many affinities with the emerging field of environmental humanities. In this respect as well, Peters is a trailblazer and has opened up a new line of inquiry for seventeenth-century French studies. --Lewis C. Seifert, author of Manning the Margins: Masculinity and Writing in Seventeenth-Century France

Jeffrey Peters's new book boldly confronts and explores what has long been hidden in full sight: the crucially important dimension of space in early modern French literature. Geography, landscape, modern urbanism, the significance of major and minor displacements--these facets of culture come into sharp focus in Peters's study. A must-read for all those interested in the French literary tradition. --John D. Lyons, author of Tragedy and the Return of the Dead The most fundamental contribution of this book is its demonstration of how seventeenth-century French literature relates to the material world . . . The Written World has many affinities with the emerging field of environmental humanities. In this respect as well, Peters is a trailblazer and has opened up a new line of inquiry for seventeenth-century French studies. --Lewis C. Seifert, author of Manning the Margins: Masculinity and Writing in Seventeenth-Century France

Author Information

Jeffrey N. Peters is professor of French and Francophone studies at the University of Kentucky.

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