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OverviewWhat is it that so fascinates us about the spaces where writers work? Why does a remote cabin, ramshackle shed or library garret, strewn with papers and piled with books, so capture our imagination? The rooms of certain writers are mythologized almost as much as the works themselves: Virginia Woolf’s garden room at Monks House; the Brontë’s study at Haworth; Sigmund Freud’s study, with its famous couch. They are preserved in writers’ houses or recreated in museums, pictured and described in newspaper columns and on Instagram, seemingly standing in for the labour of writing itself. And yet writers, old and new, have worked in all kinds of places and circumstances: in hotels, bedsits and boarding houses, at libraries and while on the move. From Proust’s bedroom to Joan Didion’s portable typewriter, Maya Angelou’s hotel rooms to Ernest Hemingway in Parisian cafés and Michaela Coel’s Arabella with post-it notes in her rented room, Katie da Cunha Lewin dismantles the familiar furniture of the writer’s room and opens it up. Blending cultural critique with the personal and historical, Katie da Cunha Lewin takes us on a fascinating journey through the hidden worlds that shape the books we love. Full Product DetailsAuthor: Katie da Cunha LewinPublisher: Elliott & Thompson Limited Imprint: Elliott & Thompson Limited ISBN: 9781783969098ISBN 10: 1783969091 Pages: 288 Publication Date: 11 September 2025 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Not yet available ![]() This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsReviews'A reverie - part pilgrimage, part personal reflection - on the places where writers find the right words. Katie da Cunha Lewin takes us on an intriguing journey through time and technology to reveal the public and private worlds of writers, past and present.' Clare Hunter, author of Threads of Life ‘Hand in hand with the question 'what do writers do all day?' is '...and where do they do it?'. Katie da Cunha Lewin's book is an intimate delight and radical demystifier, making the conditions, rituals, and set-ups required for writing to happen individual, multiple, and political.' Jen Calleja, author of Fair: The Life-Art of Translation ‘The Writer’s Room taps into our deep obsession with the spaces associated with creating great works of literature, in the most delightful way. If you have ever felt preoccupied with visiting, snooping and uncovering the desks, shelves and habits of the greats, as well and creating your own, this book was made for you.’ Penny Wincer, author of Home Matters ‘Katie Da Cunha Lewin’s brilliant book The Writer’s Room is like a matryoshka: each room visited is also a visit to a life, to a work, to a genius’s subjectivity and its many obsessions. Da Cunha Lewin successfully attempts to unravel that exact mix of solitude and companionship, protection and exposure, silence and conversation that writing requires. A book of rare skill and complexity for all those who love literature and wonder about it.’ Guadalupe Nettel, author of Still Born Author InformationKatie da Cunha Lewin is a writer based in London, currently lecturing in 20th and 21st-century literature at Coventry University. She holds a PhD in contemporary literature and is the co-editor of Don DeLillo: Contemporary Critical Perspectives. Her writing has appeared in the Times Literary Supplement, The White Review, Irish Times, Los Angeles Review of Books, among other places. She loves exploring issues of writing and the writer in the 21st century. Tab Content 6Author Website:Countries AvailableAll regions |