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OverviewFull Product DetailsAuthor: Miranda J. BanksPublisher: Rutgers University Press Imprint: Rutgers University Press Edition: First Paperback Edition Dimensions: Width: 15.60cm , Height: 2.50cm , Length: 23.50cm Weight: 0.513kg ISBN: 9780813571393ISBN 10: 0813571391 Pages: 320 Publication Date: 01 September 2016 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments Introduction 1 The Artist Employee 2 Two Front Lines 3 The Infant Prodigy 4 Mavericks 5 Confederation Conclusion Appendix A: Screen Writers and Selected CreditsAppendix B: MethodologyNotesBibliographyIndexReviewsA comprehensive tome that will be appreciated by the film and TV writers who wrote, are still writing, or will someday write. --Carl Reiner Director, Writer, Actor A monumental task--no one has ever tackled anything like this in writing about writers. Well done. --Mel Brooks An original and immensely interesting book, addressing a topic of both scholarly and general interest. --Charles Wolfe University of California-Santa Barbara Banks uncovers the role the Writers Guild of America (WGA) has played in the entertainment industry. With accounts from more than 200 writers and solid access to the Writers Guild Foundation, the book discusses the importance of authorship, name recognition, and membership boundaries. [The Writers] presents a previously lacking exploration of writers and the WGA itself, particularly educating readers on the precedents set for other entertainment guilds. Highly recommended for film buffs and aspiring screenwriters. --Library Journal What an important story Miranda Banks tells, and how brilliantly she tells it. The voices of hundreds of writers shine through this history of a neglected but crucial sector of Hollywood production culture. A vital contribution to the field. --Michele Hilmes University of Wisconsin-Madison A beautifully researched history. Miranda Banks digs deep into the archives to bring out a very powerful, moving--and, at times, gossipy--history of Hollywood and the writers who make it all possible. --Matt Tyrnauer director, Valentino The Last Emperor [The Writers] is an important contribution to Hollywood history, to studies of the labour movement in the United States, and to explorations of cultural labour. It is an entertaining and compelling story of what is special about artists as workers and what is common to all workers faced with the volatile labour relations of modern neoliberal capitalism. --Labour/Le Travail Well-informed survey of film and TV writers' decadeslong battle to defend their economic and creative interests. Banks writes lucidly about complex financial and technical issues, giving a solid, unromantic sense of working writers' lives. --Kirkus Reviews A monumental task no one has ever tackled anything like this in writing about writers. Well done. --Mel Brooks (08/15/2014) A comprehensive tome that will be appreciated by the film and TV writers who wrote, are still writing, or will someday write. --Carl Reiner Director, Writer, Actor (08/11/2014) A monumental task--no one has ever tackled anything like this in writing about writers. Well done. --Mel Brooks A comprehensive tome that will be appreciated by the film and TV writers who wrote, are still writing, or will someday write. --Carl Reiner Director, Writer, Actor An original and immensely interesting book, addressing a topic of both scholarly and general interest. --Charles Wolfe University of California-Santa Barbara What an important story Miranda Banks tells, and how brilliantly she tells it. The voices of hundreds of writers shine through this history of a neglected but crucial sector of Hollywood production culture. A vital contribution to the field. --Michele Hilmes University of Wisconsin-Madison A beautifully researched history. Miranda Banks digs deep into the archives to bring out a very powerful, moving--and, at times, gossipy--history of Hollywood and the writers who make it all possible. --Matt Tyrnauer director, Valentino The Last Emperor A monumental task--no one has ever tackled anything like this in writing about writers. Well done. --Mel Brooks A comprehensive tome that will be appreciated by the film and TV writers who wrote, are still writing, or will someday write. --Carl Reiner Director, Writer, Actor What an important story Miranda Banks tells, and how brilliantly she tells it. The voices of hundreds of writers shine through this history of a neglected but crucial sector of Hollywood production culture. A vital contribution to the field. --Michele Hilmes University of Wisconsin-Madison An original and immensely interesting book, addressing a topic of both scholarly and general interest. --Charles Wolfe University of California-Santa Barbara Banks uncovers the role the Writers Guild of America (WGA) has played in the entertainment industry. With accounts from more than 200 writers and solid access to the Writers Guild Foundation, the book discusses the importance of authorship, name recognition, and membership boundaries. [The Writers] presents a previously lacking exploration of writers and the WGA itself, particularly educating readers on the precedents set for other entertainment guilds. Highly recommended for film buffs and aspiring screenwriters. --Library Journal [The Writers] is an important contribution to Hollywood history, to studies of the labour movement in the United States, and to explorations of cultural labour. It is an entertaining and compelling story of what is special about artists as workers and what is common to all workers faced with the volatile labour relations of modern neoliberal capitalism. --Labour/Le Travail Well-informed survey of film and TV writers' decadeslong battle to defend their economic and creative interests. Banks writes lucidly about complex financial and technical issues, giving a solid, unromantic sense of working writers' lives. --Kirkus Reviews A beautifully researched history. Miranda Banks digs deep into the archives to bring out a very powerful, moving--and, at times, gossipy--history of Hollywood and the writers who make it all possible. --Matt Tyrnauer director, Valentino The Last Emperor A beautifully researched history. Miranda Banks digs deep into the archives to bring out a very powerful, moving--and, at times, gossipy--history of Hollywood and the writers who make it all possible. --Matt Tyrnauer director, Valentino The Last Emperor (08/20/2014) Author InformationMIRANDA J. BANKS is an associate professor of visual and media arts at Emerson College, in Boston, Massachusetts. She is the coeditor of Production Studies Cultural Studies of Media Industries and Production Studies, The Sequel! Tab Content 6Author Website:Countries AvailableAll regions |