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I was deeply moved by the book. It has much to offer to Proust scholars, scholars of queer studies, scholars (and skeptics) of psychoanalysis, and anyone concerned with how intellectual work might be made meaningfully continuous with the creative, political, and pedagogical practices of everyday life. Upon finishing the volume, I felt grief at the loss of this exceptionally gifted theorist, mixed with gratitude for the stunning body of work that Eve Sedgwick has left us-including The Weather in Proust. -- Hannah Freed-Thall MLN The Weather in Proust is not just a random final collection of Eve Kosofsky Sedgwick's essays. It is a frank and flowing analysis of the conflict of pleasure and destruction that shapes our attachment to life; it is an account of the deities that artists invent to embody these dramatic life forces; and, perhaps above all, it is what she calls a 'fantasy book,' a stimulus to follow out affect beyond the conventions of thought. Like the artists and psychoanalysts whom Sedgwick seeks out, this work provides a 'calm voice, so contagious and easy to internalize' that 'a new mental faculty' emerges: through crystalline prose, clear-sighted formulations, and an unsurpassed aesthetic patience, Sedgwick's engagement with sexuality, politics, and reading closely constitute a sublime teaching. -Lauren Berlant, author of Cruel Optimism With breathtaking range and brilliance, Eve Kosofsky Sedgwick once again, and in myriad ways, reminds us of the complex relationality of affective life. These extraordinary essays give life to her claim that something about queer is inextinguishable. -Judith Butler, Maxine Elliot Professor, University of California, Berkeley If Sedgwick found in emptiness a certain energy, a kind of 'arising,' then those of us who remain in the empty space she has left behind might be encouraged to take up The Weather in Proust when her absence touches us most acutely, to breathe in its atmosphere and bask in the warm climate of its thought. -- Gregory Tomso American Literature It is an adventure and a privilege to read The Weather in Proust, but these readerly experiences are alloyed with a strong sense of sadness that this carefully edited and beautifully produced volume should be posthumous... We might think of these collected pieces as the characteristically vibrant and multifarious ways in which Sedgwick came to the 'realisation' of her mortality. -- Adam Watt Journal of Gender Studies For a writer whose prose (and thought) could often be astoundingly dense, circuitous, and lovingly (if sometimes frustratingly) devoted to articulating the farthest reaches of complexity, the overall effect of The Weather in Proust is one of great clarification and distillation. Indeed, for those unfamiliar with Sedgwick's work, I would recommend starting with The Weather in Proust and moving backward from there, as the volume offers an enjoyably compressed, coherent, and retrospective portrait of Sedgwick's principal preoccupations. -- Maggie Nelson Los Angeles Review of Books Like all of [Sedgwick's] writing, The Weather in Proust both contributes to theory and challenges what we actually mean when we theorize, or read and write theory... The Weather in Proust ravishes in the flexibility of its theoretical energies, in essays on topics as surfacially different as Proustian weather, the Greek poet C.P. Cavafy, Japanese textile practice, anality, and autism... The delight of discovering Sedgwick's own findings arises in part because the voice in these essays feels so lucidly sincere. Her writing feels true, a word which aptly comes from an Old English word meaning loyal; her writing feels loyal, both to itself and its readers. -- Michael D. Snediker Theory and Event The Weather in Proust embodies Eve Kosofsky Sedgwick's seemingly simple yet revolutionary claim that 'people are different.' It is grounded in her commitment to a critical taxonomy that refuses binarisms, that works in the space between two and infinity, whether it be of sexualities or affects, 'kinds of people,' or even 'little gods,' a practice she brilliantly argues that Marcel Proust's writing, even its discussion of the weather, and C. P. Cavafy's invocation of the periperformative, epitomize. -- Kathryn R. Kent GLQ This posthumous collection of Sedgwick's essays presents readers with a glittering kaleidoscope of 'capacious concerns.' Sedgwick, a pioneer in queer studies, shines as she contemplates Proust, textile art, and mortality in language that is challenging and exhilarating... Engaging with Sedgwick will fill readers will wonder. Publishers Weekly This selection of Eve Kosofsky Sedgwick's unpublished papers and talks voers a wide range, from lively fragments of a projected book on Proust, to Cafavy, psychoanalysis, and Buddhism. The illuminate Segwick's attempt to establish an epistemology of the individual subject... Sedgwick's wit is tonic... -- Allen Thiher Times Literary Supplement

The Weather in Proust is not just a random final collection of Eve Kosofsky Sedgwick's essays. It is a frank and flowing analysis of the conflict of pleasure and destruction that shapes our attachment to life; it is an account of the deities that artists invent to embody these dramatic life forces; and, perhaps above all, it is what she calls a 'fantasy book,' a stimulus to follow out affect beyond the conventions of thought. Like the artists and psychoanalysts whom Sedgwick seeks out, this work provides a 'calm voice, so contagious and easy to internalize' that 'a new mental faculty' emerges: through crystalline prose, clear-sighted formulations, and an unsurpassed aesthetic patience, Sedgwick's engagement with sexuality, politics, and reading closely constitutes a sublime teaching. Lauren Berlant, author of Cruel Optimism With breathtaking range and brilliance, Eve Kosofsky Sedgwick once again, and in myriad ways, reminds us of the complex relationality of affective life. These extraordinary essays give life to her claim that something about queer is inextinguishable. Judith Butler, Maxine Elliot Professor, University of California, Berkeley

The Weather in Proust is not just a random final collection of Eve Kosofsky Sedgwick's essays. It is a frank and flowing analysis of the conflict of pleasure and destruction that shapes our attachment to life; it is an account of the deities that artists invent to embody these dramatic life forces; and, perhaps above all, it is what she calls a 'fantasy book, ' a stimulus to follow out affect beyond the conventions of thought. Like the artists and psychoanalysts whom Sedgwick seeks out, this work provides a 'calm voice, so contagious and easy to internalize' that 'a new mental faculty' emerges: through crystalline prose, clear-sighted formulations, and an unsurpassed aesthetic patience, Sedgwick's engagement with sexuality, politics, and reading closely constitute a sublime teaching. --Lauren Berlant, author of Cruel Optimism

""...nine solid, finished-feeling essays on topics that preoccupied Sedgwick throughout her prolific career. These topics - which include webs of relation in Proust, affect theory, non-Oedipal models of psychology (especially those offered by Melanie Klein, Sandor Ferenczi, Michael Balint, Silvan Tomkins, and Buddhism), non-dualistic thinking and antiseparatisms of all kinds, and itinerant, idiosyncratic, profound meditations on depression, illness, textiles, queerness, and mortality - will be familiar to anyone who has spent time with Sedgwick's previous work, which includes the groundbreaking Between Men: English Literature and Male Homosocial Desire (1985), Epistemology of the Closet (1990), Tendencies (1993), and Touching Feeling: Affect, Pedagogy, Performativity (2003)."" Maggie Nelson, Los Angeles Review of Books ""This selection of Eve Kosofsky Sedgwick's unpublished papers and talks covers a wide range, from lively fragments of a projected book on Proust, to Cavafy, psychoanalysis and Buddhism. They illuminate Sedgwick's attempt to establish an epistemology of the individual subject... Sedgwick had a ludic mind which engages the reader, even when one finds that her concepts are not those one would have used oneself. In the papers dealing with feminist and gay theory, her project is, it seems, to show the limits of psychoanalysis in describing the individual, for all theory must respect the basic axiom that every human being is different from everyone else."" - Allen Thiher, Times Literary Supplement, September 21st 2012 ""The Weather in Proust is not just a random final collection of Eve Kosofsky Sedgwick's essays. It is a frank and flowing analysis of the conflict of pleasure and destruction that shapes our attachment to life; it is an account of the deities that artists invent to embody these dramatic life forces; and, perhaps above all, it is what she calls a 'fantasy book,' a stimulus to follow out affect beyond the conventions of thought. Like the artists and psychoanalysts whom Sedgwick seeks out, this work provides a 'calm voice, so contagious and easy to internalize' that 'a new mental faculty' emerges: through crystalline prose, clear-sighted formulations, and an unsurpassed aesthetic patience, Sedgwick's engagement with sexuality, politics, and reading closely constitutes a sublime teaching."" Lauren Berlant, author of Cruel Optimism ""With breathtaking range and brilliance, Eve Kosofsky Sedgwick once again, and in myriad ways, reminds us of the complex relationality of affective life. These extraordinary essays give life to her claim that something about queer is inextinguishable."" Judith Butler, Maxine Elliot Professor, University of California, Berkeley ""The Weather in Proust is a collection of nine essays, five of which were intended to become part of a book on Proust and an additional four that encompass Sedgwick's three decades of queer scholarship. The book is a meeting of the old and the new, both a retrospective on this founding mother of queer theory and a glimpse into what occupied her mind in the final years of her life. In Proust, Sedgwick finds a kindred spirit. Both writers are notorious for their excruciatingly detailed and nuanced literary dissections of the hidden crevasses of human desire and esoteric references to spirituality, philosophy, and classics... Great authors live as long as their ideas remain relevant to the present world, and given the current political and cultural landscape, Sedgwick's philosophies make her as alive as she has ever been."" Chase Dimock, Lambda Literary Review, April 15th 2012

Author Information

Eve Kosofsky Sedgwick (1950–2009) was Distinguished Professor of English at the CUNY Graduate Center. She is the author of Epistemology of the Closet, Between Men, and A Dialogue on Love. Her books Touching Feeling; Tendencies; Fat Art, Thin Art; Novel Gazing; Gary in Your Pocket; and Shame and Its Sisters (co-edited with Adam Frank), are all also published by Duke University Press. Jonathan Goldberg is Arts and Sciences Distinguished Professor of English and Director of the Studies in Sexualities Program at Emory University. He is the author, most recently, of The Seeds of Things.

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