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OverviewThe volume is a complete publication of a set of 144 religious paintings from the llth through the 13th-14th centuries discovered by Polish archaeologists in Dongola, the capital of the Christian Nubian kingdom of Makuria, which existed in the valley of the Middle Nile from the 6th through the 14th century. The murals come from the monastic enclosure on Kom H, from a church, but also from an ascetic monk's cell turned chapel and two substantial architectural complexes of the Northwest and Southwest Annexes. The author discusses this religious painting assemblage in thematical order, presenting Biblical and apocryphal scenes taken from the Old and New Testament, representations of holy figures including archangels, angels and saints, images of Nubian church and royal dignitaries and figures of donors, that also appeared among the murals. Finally, she deals with compositions, like the unique prothesis and coronation scenes, as well as individual ornamental motifs. The catalogue takes a topographical approach, describing the paintings in detail and illustrating each item as richly as possible. A selection of perspective views of individual buildings, rooms and walls facilitates quick understanding of the painting decoration systems in the various monastery buildings and annexes, and gives grounds for evaluation of the state of preservation, artistic quality and iconography of particular paintings. Full Product DetailsAuthor: Malgorzata Martens-CzarneckaPublisher: Iksio Pan Imprint: Iksio Pan Weight: 0.934kg ISBN: 9788323509233ISBN 10: 8323509239 Pages: 281 Publication Date: 30 December 2011 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsAuthor InformationMalgorzata Martens-Czarnecka is an acknowledged expert on Nubian wall painting. She has the additional advantage of having participated in the excavations of the monastery on Kom H and thus her knowledge of the material is first-hand. In fact, most of the documentation of the paintings presented in this volume, including the drawings, were made by her personally in the field. Tab Content 6Author Website:Countries AvailableAll regions |