Overview

For more than three decades, Robert Lepage's dynamic multimedia performance works have been produced on stages worldwide. Celebrated for his bold, visionary aesthetic, Lepage has received several high-profile commissions in recent years, including two Peter Gabriel world tours, Cirque du Soleil's K in Las Vegas, a dramatic staging of Richard Wagner's Ring Cycle at the Metropolitan Opera in New York, and Lorin Maazel's 1984 at London's Royal Opera House. Despite Lepage's prolificacy and his status as one of the pioneers of new media performance, little critical writing has been published about his work, particularly in English. Ludovic Fouquet's The Visual Laboratory of Robert Lepage, translated for the first time into English, thus presents much-needed in-depth analysis of Lepage's strategies and practices. The book's title references the experimentation so integral to Lepage's creative process and the ways in which Lepage has always been attuned to the synergistic possibilities when art encounters science and technology. Whether as a playwright, actor, film director, or stage director, he is forever in search of new mutations of form and expression, and his unexpected narratives often write themselves out of discoveries he makes when staging a piece-indeed stagecraft often guides story in Lepage's creative realm. This illustrated volume will be of keen interest for theater practitioners of all kinds, from set designers to directors, from academics to fans. Ludovic Fouquet is a visual artist, actor, teacher, director, and founder of the company Songes mecaniques (Mechanical Dreams) in Blois, France. Fouquet earned his PhD studying Robert Lepage's work and its relationship with technology. Rhonda Mullins is a Governor General's Awardwinning French-to-English translator, writer, and editor.

Full Product Details

9780889227743

Table of Contents

Reviews

The Visual Laboratory of Robert Lepage is essential reading for anybody interested in new-media performance and represents a valuable next step in the research of Lepage's theatricality. - Aleksander Sasa Dundjerovic Fouquet's impressively detailed observations reveal the alchemy taking place in Lepage's 'visual laboratory, ' as well as key influences that have driven his innovative, imagistic theatre from its beginnings ... This book both reintroduces Lepage to scholarship and reminds us of the central position Lepage occupies in contemporary theatre practice. - James Reynolds In illuminating Lepage's methods of creation (where the text often appears only at the end of a process of collective improvisation), [Fouquet] explores the wealth of the playwright's work as well as his occasional failures. - Marie Labrecque, author of Une longue, longue marche Ludovic Fouquet, in addition to being an avid spectator at many of Robert Lepage's shows in Quebec and Europe, has been a privileged witness to the working sessions of the prolific playwright and attended many hours of rehearsal during research for this book. - Louise Vigeant, JEU: revue de theatre This book will be of great value to those interested in understanding the evolution of Lepage's creativity, as well as to artists, teachers, and students making their own work with Lepage's practice as inspiration. - Karen Fricker

Author Information

Ludovic Fouquet is a visual artist, actor, teacher, director, and founder of the multimedia theatre company songes mecaniques (Mechanical Dreams) in Blois, France. After , and theatre-contemporain.net. Fouquet divides his time between France and Quebec.

Tab Content 6

Countries Available