The Visage, Voice and Void in the Community: Art, Senses and (e-)Spaces of Contemporary Semiosis

Author:   Silvia Barbotto (University of Turin, Italy)
Publisher:   Taylor & Francis Ltd
ISBN:  

9781041026686


Pages:   152
Publication Date:   14 April 2026
Format:   Hardback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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The Visage, Voice and Void in the Community: Art, Senses and (e-)Spaces of Contemporary Semiosis


Overview

This book takes an interdisciplinary approach to the face, defined not only as the human physical constitution but also in a metaphorical and cultural sense, and its connection with society. Bridging the analogue and the digital, the face is examined step by step from multiple perspectives and analysed within a qualitative–semiotic framework. With art as the underlying paradigm, semiotics as the founding discipline, and the face as the subject of study, the author positions the face as a distinct landscape, offering the tools to study the metaphorical face and space as a panorama. Tracing historical conceptions of the face, along with the iconography and artefacts associated with it, the author follows an experimental and abductive methodology that culminates in a complex constellation of insights on the subject. This book will interest specialists in the fields of visual semiotics, languages of art, creative industries and cultural heritage, humanities, and philosophy.

Full Product Details

Author:   Silvia Barbotto (University of Turin, Italy)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
ISBN:  

9781041026686


ISBN 10:   1041026684
Pages:   152
Publication Date:   14 April 2026
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Prologo Ugo Volli Introduction Part 1: From Phisical To (q)Face 1. Mutable topography: physiognomy and pathognomy 2. Of faces and traces: a mutable topography 3. (q)field, synthetic data and hallucinated portraits Part 2: From Masking To Enacting Face 4. Wearing the self: performativity and masks 5. Care, memory and intersubjective transmission Part 3: From Body To Space Face 6. Carving emptiness: on breath and wave 7. Intra-action, proto-voice and art 8. Carving emptiness: on space and wave Conclusion Epilogue Index

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Author Information

Silvia Barbotto is a researcher and artist and an adjunct professor at the University of Turin, Italy.

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