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OverviewFull Product DetailsAuthor: Thomas Hughes (The Courtauld Institute of Art, UK) , Emma Merkling (Durham University, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.680kg ISBN: 9781032356785ISBN 10: 1032356782 Pages: 190 Publication Date: 29 December 2023 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsForeword Introduction 1. Idyll as Refuge: The Settler’s Dream 2. ‘Cutting So “Sweetly”’: Idyllist Wood Engravings and the Lost Boxwood Forests 3. Multicolour as Disavowal: The Racial Politics of the Nineteenth-Century Idyll 4. John Addington Symonds’s Theocritus and the Homoerotic Idyll in Sicily 5. Ancient and Modern: Attention and Environmental Change in the Victorian Pictorial Idyll 6. Queer Pastoral Soundscapes and the Idyllic Voice: Vernon Lee, A. Mary F. Robinson, and Lady Archibald Campbell 7. Plant Subjects, Plant Erotics: Julia Margaret Cameron’s Creeping Idyll 8. Wondrous Transformation in Dante Gabriel Rossetti’s La GhirlandataReviewsAuthor InformationThomas Hughes is an art historian who has published on John Ruskin, Victorian art, ecology and temporality. Emma Merkling is Rome Fellow at the Paul Mellon Centre for Studies in British Art, and Deputy Associate Director of Research at the Centre for Nineteenth-Century Studies International at Durham University. Tab Content 6Author Website:Countries AvailableAll regions |
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