Overview

During the nineteenth century, Britain became the first gaslit society, with electric lighting arriving in 1878. At the same time, the British government significantly expanded its power to observe and monitor its subjects. How did such enormous changes in the way people saw and were seen affect Victorian culture?  To answer that question, Chris Otter mounts an ambitious history of illumination and vision in Britain, drawing on extensive research into everything from the science of perception and lighting technologies to urban design and government administration. He explores how light facilitated such practices as safe transportation and private reading, as well as institutional efforts to collect knowledge. And he contends that, contrary to presumptions that illumination helped create a society controlled by intrusive surveillance, the new radiance often led to greater personal freedom and was integral to the development of modern liberal society. The Victorian Eye’s innovative interdisciplinary approach—and generous illustrations­—will captivate a range of readers interested in the history of modern Britain, visual culture, technology, and urbanization.

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9780226640761

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Reviews

This excellent volume offers an important new historicist interpretation of the interaction of technology, vision, and power in the late nineteenth century. Otter dexterously evinces the new socio-technical patterns of perception that emerged in the British liberal state as its urban environments were transformed by the arrival of gas and electric lighting. This work is essential reading, especially for those dissatisfied with twentieth-century cliches of the panopticon and the flaneur as modes of appreciating the nexus of materiality, mobility, and management in civic life. <br><br>--Graeme Gooday, University of Leeds

Otter''s analysis is complex as he moves from one technology or institution to another, but it is always lucid and well informed. . . . The study ranges across a wide and eclectic array of British urban spaces, technologies and institutions, and every page is consistently readable and stimulating. -Times Higher Education

This excellent volume offers an important new historicist interpretation of the interaction of technology, vision, and power in the late nineteenth century. Otter dexterously evinces the new socio-technical patterns of perception that emerged in the British liberal state as its urban environments were transformed by the arrival of gas and electric lighting. This work is essential reading, especially for those dissatisfied with twentieth-century cliches of the panopticon and the flaneur as modes of appreciating the nexus of materiality, mobility, and management in civic life. --Graeme Gooday, University of Leeds

Author Information

Chris Otter is assistant professor of modern European history at the Ohio State University.

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