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9781108452915

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'Everyone who loves literature, not to mention Melville, should read this book.' R. T. Prus, Choice '... Sanborn turns his attention to the reader's encounter with Melville, and the results are an absolutely stunning and beautiful work of critical attention, and more importantly, of use.' Matthew Crow, The Nautilus 'With one hundred years and counting of scholarly and popular tomes on Melville now available, what new - and what more - is there to say about Melville and Moby-Dick? Enter Geoffrey Sanborn, Professor of English at Amherst College, and his slim, eminently insightful new volume The Value of Herman Melville. Dr. Sanborn reads Moby-Dick through the lenses of philosophy, literary criticism, and psychoanalytic theory, and brings Melville and Moby-Dick alive in ways that few have done before. With the generosity of a patient teacher and the enthusiasm of a wise and knowledgeable tour guide eager to show travelers the hidden wonders of a quaint old city he knows so well ...' Daniel Ross Goodman, National Review 'Everyone who loves literature, not to mention Melville, should read this book.' R. T. Prus, Choice '... Sanborn turns his attention to the reader's encounter with Melville, and the results are an absolutely stunning and beautiful work of critical attention, and more importantly, of use.' Matthew Crow, The Nautilus 'With one hundred years and counting of scholarly and popular tomes on Melville now available, what new - and what more - is there to say about Melville and Moby-Dick? Enter Geoffrey Sanborn, Professor of English at Amherst College, and his slim, eminently insightful new volume The Value of Herman Melville. Dr. Sanborn reads Moby-Dick through the lenses of philosophy, literary criticism, and psychoanalytic theory, and brings Melville and Moby-Dick alive in ways that few have done before. With the generosity of a patient teacher and the enthusiasm of a wise and knowledgeable tour guide eager to show travelers the hidden wonders of a quaint old city he knows so well ...' Daniel Ross Goodman, National Review

Author Information

Geoffrey Sanborn is currently the Henry S. Poler '59 Presidential Teaching Professor of English at Amherst College, Massachusetts. He is the author of Plagiarama!: William Wells Brown and the Aesthetic of Attractions (2016), Whipscars and Tattoos: The Last of the Mohicans, Moby-Dick, and the Maori (2011), and The Sign of the Cannibal: Melville and the Making of a Postcolonial Reader (1998). He has also co-edited Melville and Aesthetics (2011) with Samuel Otter and published cultural-historical editions of William Wells Brown's Clotel (2016) and Herman Melville's Typee (2003). His essays on writers such as Frances Harper, Pauline Hopkins, Edgar Allan Poe, Sandra Cisneros, and James Fenimore Cooper, have appeared in American Literature, PMLA, J19, African American Review, ELH, and elsewhere. His essay 'Whence Come You, Queequeg?' won the Foerster Prize for Best Essay in American Literature in 2006 and his essay 'Keeping Her Distance: Cisneros, Dickinson, and the Politics of Private Enjoyment' won the Parker Prize for Best Essay in PMLA in 2002.

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