Overview

Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the project was abandoned with only one storey complete. Empty and decaying, 'il palazzo non finito' was an eyesore for over a century until it came to be inhabited by the very different women whose stories are told in this gripping book. Luisa Casati, Doris Castlerosse and Peggy Guggenheim in turn used the Unfinished Palazzo as a stage on which to re-fashion her life, each making the building famous, or notorious, in her way. Their worlds of art and imagination boasted an amazing supporting cast, from D'Annunzio and Nijinsky, via Noël Coward, Winston Churchill and Cecil Beaton, to Yoko Ono. The staggeringly wealthy Marchesa Luisa Casati made her home an aesthete's fantasy and venue for parties as decadent as Renaissance court operas - spending small fortunes on her own costumes in her quest to become a 'living work of art' and muse to the artists of the late belle époque and early modernist eras. British socialite Doris Castlerosse (née Delevingne) made her mark in London and Venice during the hedonistic interwar years, hosting film stars and royalty at glittering parties. Jewish-American heiress Peggy Guggenheim turned the Palazzo into a model of modernist simplicity to house her exquisite collection of modern and surrealist art that today draws tourists and art-lovers from around the world.

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9780500518663

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Skillfully weaves historical details into absorbing biographical profiles while also capturing the charm of Venice... Mackrell explores [the] eventful lives [of] three remarkable women [who] differed in many ways, but points out their similarities in motivation, independence, daring unconventionality, and historic roles in Venice and social culture. Her astute commentary is particularly illuminating, enlarging the reader's understanding of these individuals and the larger framework of their worlds. Well-chosen photographs and comprehensive notes and bibliography enhance the volume. The Unfinished Palazzo tells the stories of notoriously eccentric women: the Marchesa Luisa Casati, from Milan, a champion exhibitionist who considered her life (and especially her person) to be a work of art; Doris, Lady Castlerosse, an Englishwoman whose lovers included both Winston Churchill and his son, Randolph; and finally [Peggy] Guggenheim, the American art patron who bequeathed the mansion to her family's foundation as a museum of modern art. ... Their life stories are flashy, a kaleidoscope of bad marriages, bad divorces, Fortuny dresses, outlandish costume parties, fashionable portraits, excessive champagne, famous lovers, pickup lovers, alienated children and overlapping celebrity acquaintances. ... In more enlightened times these women might have had solid accomplishments...but Mackrell's documentation of their relentless self-absorption and unfiltered vanity argues against it.

Skillfully weaves historical details into absorbing biographical profiles while also capturing the charm of Venice... Mackrell explores [the] eventful lives [of] three remarkable women [who] differed in many ways, but points out their similarities in motivation, independence, daring unconventionality, and historic roles in Venice and social culture. Her astute commentary is particularly illuminating, enlarging the reader's understanding of these individuals and the larger framework of their worlds. Well-chosen photographs and comprehensive notes and bibliography enhance the volume.

Author Information

Judith Mackrell is the Guardian's dance critic, and a successful author of non-fiction, including Bloomsbury Ballerina and the bestselling Flappers.

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