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OverviewHow is an oral historian to react when the unexpected emerges, whether in field research or interview analysis? Answers tend to be scattered throughout the scholarly literature or confined to backstage conversations. This book brings the unexpected to the center of the scene and promotes a collective reflection about ways of dealing with uneasy encounters, surprises, and interviews that seem to have gone off the rails. The contributors come from a dozen countries, especially Brazil, where a classic piece about a “great liar” paved the way for this discussion. Rather than eccentric descriptions of unusual situations, these chapters evoke a dense web of reflections about dialogue, the production of oral sources, and the complexities of personal narratives. Theoretically informed but written in an engaging language, the book presents readers with fascinating case studies of the eruptions of the unexpected that occur in oral history research. Full Product DetailsAuthor: Ricardo Santhiago , Miriam HermetoPublisher: Springer International Publishing AG Imprint: Palgrave Macmillan Edition: 1st ed. 2023 Weight: 0.444kg ISBN: 9783031177484ISBN 10: 3031177487 Pages: 274 Publication Date: 18 April 2023 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Language: English Table of Contents1. Foreword2. IntroductionPart I Scratching the Silence: The Unexpected as an Outbreak3. Introduction to Part I4. My Grandfather’s Unknown History5. Florence Richard, Childhood Sexual Violence, and the Unsettling of Local History6. An Unexpected Gift: Oral History and the Documentation of Michfest7. Commentary: The Elaboration of What Has Been LivedPart II Between Lies and Half-Truths: The Unexpected as Falsification8. Introduction to Part II9. The Must-See Play that so Many People Staged: A Mosaic of (False) Memories10. New Looks at Old Interviews: Racism and Privilege Around Black Folk Festivities11. “Sincere Lies Interest Me”: The Power of Falsehood in Oral History12. A Love Story That Never Happened13. Commentary: Leftovers, Their Unexpected Forms, and the Act of Gleaning: Re-encounters with InterviewsPart III Deviating Routes: The Unexpected as a Mnemonic Device14. Introduction to Part III15. “Who rode in my car? Who do you think? Jesus!”: Subversion and Displacement in the Rereading of an Interview16. Metabolizing the Leftovers of Memory17. The Unexpected in an Archive: Interferences in a Soccer Memory Collection18. Commentary: Revisiting Oral Sources: The Unexpected and the Anticipated in Oral History PraxisPart IV The Answer Is Another Subject: The Unexpected as a Generative Device19. Introduction to Part IV20. Looking for Heroes, I Found Conventional Workers: A Labor Community in the Argentine Dictatorship21. The Devious Paths of Memory: Reflections on the Experience of Interviews with Residents of the Caparaó Sierra22. “Everything Has Been Said”: Surprising Encounters from Oral Histories in Ireland23. Commentary: The Answer is Not Only Another Subject: It Is Also Another Set of QuestionsPart V Nothing but Surprises: The Unexpected as a Given24. Introduction to Part V25. The Case of the Baffling Bandit26. Tragedy, Trauma, and the Transformations of Local Memory27. Uncomfortable Stories and Tensions in the Official Memory of an Institution28. Commentary: Oral History as a culture of ResearchPart VI Avenues and Openings: The Unexpected as a Method29. Introduction to Part VI30. Listening to Young Geeks in a Different City’s Cosplay Scene31. “Ain’t You Afraid to Be around a Drifter Like Me?”: Beyond the Nothingness and the Fragments of the Life on the Streets32. Struggling Through Speech in the Midst of Grief: A Non-interview and the Indigenous Xakriabá Cosmopolitics33. Ethnic Classification and Trauma During the Rwandan Genocide34. Commentary: How Do We Face the Unexpected? Constitutive Practices of Oral History 34. Afterword: Expecting the UnexpectedReviewsAuthor InformationRicardo Santhiago is a professor at the Institute of Cities at the Federal University of São Paulo (Unifesp), Brazil. An oral and public historian with a focus on Brazilian culture, he is the author of articles and books on Brazilian popular music, oral history methodology, urban cultures, and memory studies. He is a National Council for Scientific and Technological Development (CNPq) Productivity Fellow. Miriam Hermeto is a professor at the School of Philosophy and Human Sciences at the Federal University of Minas Gerais (UFMG), Brazil. Her research is on the teaching of history and the memory of the Brazilian military dictatorship. Also a singer, she creates and performs historical-themed concerts that combine music and documentation. Tab Content 6Author Website:Countries AvailableAll regions |
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