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Unlike any other composer, Wagner continues to fascinate. Michael P. Steinberg has added to the vast literature a thought-provoking look at the composer from the perspective of not only history and criticism, but also the challenges of mounting a contemporary production. Through Steinberg's uncommon grace and learning, readers will encounter why Wagner is still with us today as a force in the arts and culture. --Leon Botstein, music director and principal conductor of the American Symphony Orchestra An exquisitely learned and sensitive journey through ambiguities that make the case against Wagner always also a case for. Readable and often very witty, this new book is perfectly reflective in its novel combination of two kinds of expertise that rarely come together. While offering sophisticated philosophical insight into the Ring Cycle, the author recalls his first-hand involvement in producing the work for the stage. Most highly recommended. --Lydia Goehr, Professor of Philosophy, Columbia University After thirty years of writing on music in relation to history, politics, and ideology, Steinberg has produced the book he was brought into the world to write. The Trouble with Wagner explores Wagner ambivalence with unparalleled erudition, breathtaking mastery of the Ring, deep understanding of Wagner's conception of modernity, and an astonishing ability to integrate the history of performance into the story of how Wagner's work has been understood. The book is brilliant and riveting. The Trouble with Wagner will be discussed for many years to come. --Daniel Herwitz, Fredric G. L. Huetwell Professor, University of Michigan

An exquisitely learned and sensitive journey through ambiguities that make the case against Wagner always also a case for. Readable and often very witty, this new book is perfectly reflective in its novel combination of two kinds of expertise that rarely come together. While offering sophisticated philosophical insight into the Ring Cycle, the author recalls his first-hand involvement in producing the work for the stage. Most highly recommended. --Lydia Goehr, Professor of Philosophy, Columbia University Unlike any other composer, Wagner continues to fascinate. Michael P. Steinberg has added to the vast literature a thought-provoking look at the composer from the perspective of not only history and criticism, but also the challenges of mounting a contemporary production. Through Steinberg's uncommon grace and learning, readers will encounter why Wagner is still with us today as a force in the arts and culture. --Leon Botstein, music director and principal conductor of the American Symphony Orchestra This slim but important volume offers a unique perspective on Wagner's mature music, a perspective that arises from the author's dual career as historian and dramaturg.... Ultimately, the 'trouble' with Wagner may best be addressed not by scholarship or criticism but through the choices that must be made to present these masterworks to a contemporary audience. A significant achievement, this book is sure to have a role in any serious Wagner discussion. --Choice In his new, deceptively slender book, Michael P. Steinberg, a distinguished cultural historian of music, pursues two separate but interdependent lines of thought. On the one hand, he offers an account of the Wagner bicentennial production of The Ring . . . On the other hand, and more fundamentally, he offers a sophisticated 'deep' reading of the latent layers of psychology, philosophy, and history embedded in this colossus of the operatic stage. --Wagner Notes After thirty years of writing on music in relation to history, politics, and ideology, Steinberg has produced the book he was brought into the world to write. The Trouble with Wagner explores Wagner ambivalence with unparalleled erudition, breathtaking mastery of the Ring, deep understanding of Wagner's conception of modernity, and an astonishing ability to integrate the history of performance into the story of how Wagner's work has been understood. The book is brilliant and riveting. The Trouble with Wagner will be discussed for many years to come. --Daniel Herwitz, Fredric G. L. Huetwell Professor, University of Michigan

In his new, deceptively slender book, Michael P. Steinberg, a distinguished cultural historian of music, pursues two separate but interdependent lines of thought. On the one hand, he offers an account of the Wagner bicentennial production of The Ring . . . On the other hand, and more fundamentally, he offers a sophisticated 'deep' reading of the latent layers of psychology, philosophy, and history embedded in this colossus of the operatic stage. --Wagner Notes This slim but important volume offers a unique perspective on Wagner's mature music, a perspective that arises from the author's dual career as historian and dramaturg.... Ultimately, the 'trouble' with Wagner may best be addressed not by scholarship or criticism but through the choices that must be made to present these masterworks to a contemporary audience. A significant achievement, this book is sure to have a role in any serious Wagner discussion. --Choice An exquisitely learned and sensitive journey through ambiguities that make the case against Wagner always also a case for. Readable and often very witty, this new book is perfectly reflective in its novel combination of two kinds of expertise that rarely come together. While offering sophisticated philosophical insight into the Ring Cycle, the author recalls his first-hand involvement in producing the work for the stage. Most highly recommended. --Lydia Goehr, Professor of Philosophy, Columbia University Unlike any other composer, Wagner continues to fascinate. Michael P. Steinberg has added to the vast literature a thought-provoking look at the composer from the perspective of not only history and criticism, but also the challenges of mounting a contemporary production. Through Steinberg's uncommon grace and learning, readers will encounter why Wagner is still with us today as a force in the arts and culture. --Leon Botstein, music director and principal conductor of the American Symphony Orchestra After thirty years of writing on music in relation to history, politics, and ideology, Steinberg has produced the book he was brought into the world to write. The Trouble with Wagner explores Wagner ambivalence with unparalleled erudition, breathtaking mastery of the Ring, deep understanding of Wagner's conception of modernity, and an astonishing ability to integrate the history of performance into the story of how Wagner's work has been understood. The book is brilliant and riveting. The Trouble with Wagner will be discussed for many years to come. --Daniel Herwitz, Fredric G. L. Huetwell Professor, University of Michigan

Author Information

Michael P. Steinberg is president of the American Academy in Berlin and Barnaby Conrad and Mary Critchfield Keeney Professor of History and professor of music and German studies at Brown University. He is the author, most recently, of Judaism Musical and Unmusical, also published by the University of Chicago Press.

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