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OverviewMomentous developments occurred in the field of Islamic art during the 11th and 12th centuries - developments that were to affect its aesthetic direction for centuries to come, but which sprang from deep within a political and religious clash at the heart of the Muslim world. Iran, Iraq and Syria were to see the flourishing of such devises as proportional calligraphy, vegetal and geometric arabesque and muqarnas (stalactite) vaulting, but these innovations were propagated in a highly confrontational atmosphere that pitched the traditional Sunnism of the Abbasid Caliphate against the heterodox Fatimids of Egypt. Yasser Tabbaa, examining the semiotic interplay between history and art, challenges the conventional methodologies of many historians of Islamic art today. Full Product DetailsAuthor: Yasser Tabbaa (Department of Art, Oberlin College, USA)Publisher: Bloomsbury Publishing PLC Imprint: I.B. Tauris ISBN: 9781850433927ISBN 10: 1850433925 Pages: 220 Publication Date: 26 October 2001 Audience: College/higher education , Professional and scholarly , General/trade , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |