Overview

Since the early 1980s, art photographers from metropolitan France have been training their lenses on ordinary landscapes throughout the country they call home. The Topographic Imaginary is the first book to study this important and flourishing trend. It examines work by artists who meld documentary and creative modes to attune viewers to places that mainstream culture tends to tune out, but which, as Ari J. Blatt argues, are in fact more meaningful than they initially appear. From views of building sites in Paris, peri-urban edgelands, or a tangle of trees in a forest, to those that ponder the play of light and shadow on roadside fields in Normandy or the tacky colors painted on dated village shopfronts, images that signal the emergence of a “topographic turn” in contemporary French photography constitute new ways of seeing and sensing France’s diverse national territory. As Blatt suggests, they also represent a visual laboratory through which to investigate how landscape “scapes” our understanding of French culture. In their efforts to reimagine a more traditional and time-worn idea of France’s shared common space, topographic photographs animate conversations about capital and class; cities and their peripheries; the politics and impact of development; migration and borders; memory, history, and affect; empire and postcolonialism; national identity; and the changing environment. The Topographic Imaginary thus reveals how attending to place in pictures provides valuable insight into the disposition of a nation in flux.

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9781800856028

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Reviews

‘The Topographic Imaginary is an excellent study, written with textbook clarity, drive, and elegance, bridging the gap between literary, visual and cultural studies in a domain where interdisciplinary research, although cruelly needed, is still far from being the norm. Blatt also demonstrates a perfectly mastered knowledge of the literature and scholarship on the topics he examines.’ Jan Baetens, Leonardo Reviews

‘The Topographic Imaginary is an excellent study, written with textbook clarity, drive, and elegance, bridging the gap between literary, visual and cultural studies in a domain where interdisciplinary research, although cruelly needed, is still far from being the norm. Blatt also demonstrates a perfectly mastered knowledge of the literature and scholarship on the topics he examines.’ Jan Baetens, Leonardo Reviews ‘This major contribution to the study of photography within French and Francophone Studies will thus appeal not just to scholars of contemporary photography alone, but to cultural studies and allied fields.’ KATHRIN YACAVONE, Philipps-Universität Marburg

Author Information

Ari J. Blatt is an Associate Professor of French at the University of Virginia

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