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OverviewFull Product DetailsAuthor: Deborah Shaw , Nuria Triana-Toribio , Andy Willis , Bethan HirstPublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 13.80cm , Height: 1.50cm , Length: 21.60cm Weight: 0.331kg ISBN: 9780719097591ISBN 10: 0719097592 Pages: 284 Publication Date: 01 March 2015 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Available To Order We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsIntroduction Guillermo del Toro: the Alchemist 1. Cronos: Introducing Guillermo del Toro 2. Generating an Authorial Presence with Hellboy II: The Golden Army 3. El Laberinto del Fauno: Breaking Through the Barriers of Filmmaking Alejandro González Iñárritu: Independent Filmmaker 4. Change to Crashing into the International Film Market with Amores Perros 5. 21 Grams: An American Independent Film made by Mexicans 6. Babel and the Global Hollywood Gaze Alfonso Cuarón: A Study of Auteurism in Flux 7.1 Sólo Con tu Pareja: Bringing the Middle Classes Back to Mexican Cinemas 7.2 Less than Great Expectations: Working within the Hollywood System 8. Cuarón Finds his Own Path: Y Tu Mamá También 9. Children of Men: the Limits of Radicalism Conclusion Appendix: Discussion thread on comicbookresources.com about del Toro and Mignola and the Hellboy films. Bibliography Filmography Index -- .ReviewsShaw concisely and efficiently utilizes a number of theoretical fields in her discussion, including careful scrutiny of the marketing, profits and the attendant creative freedoms and constraints these suppose, in addition to carrying out close textual analysis of key stylistic and technical characteristics of the films. This is an important book that convincingly argues that these three amigos, who are the most successful filmmakers of Mexican origin in financial and international terms, are exemplars of transnational filmmaking and demonstrates the multiple ways in which their 'films have caused critics to rethink classificatory borders' (225). -- Niamh Thornton. BSS, XCll (2015) Author InformationDeborah Shaw is Reader in Film Studies at the University of Portsmouth Tab Content 6Author Website:Countries AvailableAll regions |
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