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OverviewStanley Cavell was, by many accounts, America's greatest philosophical thinker of film. Like Bazin in France and Perkins in England, Cavell did not just transform the American capacity to take film as a subject for philosophical criticism; he had to first invent that legitimacy. Part of that effort involved the creation of several key now-canonical texts in film studies, among them the seminal The World Viewed along with Pursuits of Happiness and Contesting Tears. The present collection offers, for the first time anywhere, a concerted effort mounted by some of today's most compelling writers on film to take careful account of Cavell's legacy. The contributors think anew about what precisely Cavell contributed, what holds up, what is in need to revision or updating, and how his writing continues to be of vital significance and relevance for any contemporary approach to the philosophy of film. Full Product DetailsAuthor: Dr. David LaRocca (Cornell University, USA)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Weight: 0.612kg ISBN: 9781501349164ISBN 10: 1501349163 Pages: 336 Publication Date: 23 January 2020 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsPreface: Stanley Cavell and Cinema Thomas Elsaesser, University of Amsterdam, The Netherlands Introduction: Philosophy’s Claim to Film, Film’s Claim to Philosophy David LaRocca, Cornell University, USA Part I. Underwriting and Overhearing: Reconceiving Cinematic Ontology and Genre 1. “Assertions in Technique”: Tracking the Medial “Thread” in Cavell’s Filmic Ontology Garrett Stewart, University of Iowa, USA 2. Revisiting The World Viewed Noël Carroll, Graduate Center of the City University of New York, USA 3. The World Heard Kyle Stevens, Appalachian State University, USA 4. What a Genre of Film Might Be: Medium, Myth, and Morality Stephen Mulhall, New College, Oxford University, UK Part II. Interlude: Temperaments for Film 5. My Troubled Relationship with Stanley Cavell: In Pursuit of a Truly Cinematic Conversation Scott MacDonald, Hamilton College, USA 6. Film as Film and the Personal William Rothman, University of Miami, USA Part III. Philosophy, as if Made for Film 7. Between Skepticism and Perfectionism: On Cavell’s Melodrama of the Unknown Woman Robert Sinnerbrink, Macquarie University, Australia 8. Overcoming Skepticism in Casablanca Thomas E. Wartenberg, Mount Holyoke College, USA 9. A Skeptic’s Reprieve: Cavell on Comedy in Shakespeare and the Movies Lawrence F. Rhu, University of South Carolina, USA Part IV. Film, as if Made for Philosophy 10. Film Exists in a State of Philosophy: Two Contemporary Cavellian Views Shawn Loht, Baton Rouge Community College, USA 11. The Conception of Film for the Subject of Television: Moral Education of the Public and a Return to an Aesthetics of the Ordinary Sandra Laugier, Université Paris 1 Panthéon Sorbonne, France 12. On Film in Reality: Cavellian Reflections on Skepticism, Belief, and Documentary Mathew Abbott, Federation University, Australia 13. On the Aesthetics of Amateur Filmmaking in Narrative Cinema: Negotiating Home Movies after Adam’s Rib David LaRocca, Cornell University, USA Acknowledgements Index ContributorsReviewsStanley Cavell argued that film exists in a state of philosophy. Part of what he meant by this was that thinking about a film is a way of doing philosophy. That has been his influential and most controversial claim. The authors in this collection explore what he might have meant in ways more variegated, thoughtful, original and illuminating than anything I have seen before. The Thought of Stanely Cavell and Cinema, exemplary in its clarity and carefulness, is a watershed both in our understanding of Cavell and of film itself. * Robert Pippin, Evelyn Stefansson Nef Distinguished Service Professor, University of Chicago, USA * Stanley Cavell argued that film exists in a state of philosophy. Part of what he meant by this was that thinking about a film is a way of doing philosophy. That has been his influential and most controversial claim. The authors in this collection explore what he might have meant in ways more variegated, thoughtful, original and illuminating than anything I have seen before. The Thought of Stanely Cavell and Cinema, exemplary in its clarity and carefulness, is a watershed both in our understanding of Cavell and of film itself. * Robert Pippin, Evelyn Stefansson Nef Distinguished Service Professor, University of Chicago, USA * A brilliant collection of original essays by major figures in the field. The genius of Cavell's writings on film is in sharp focus throughout -- likewise the continued provocation of The World Viewed and its successor books and essays. * Michael Fried, J. R. Herbert Boone Emeritus Professor of Humanities and the History of Art, Johns Hopkins University, USA * Author InformationDavid LaRocca is the author, editor, or coeditor of more than a dozen books. He edited Movies with Stanley Cavell in Mind (Bloomsbury, 2021), Inheriting Stanley Cavell (Bloomsbury, 2020), a commemorative issue of Conversations: The Journal of Cavellian Studies (2019), and Stanley Cavell’s Emerson’s Transcendental Etudes (2003). He has taught philosophy and cinema and held visiting research or teaching positions in the United States at Binghamton University, Cornell University, Harvard University, Ithaca College, the School of Visual Arts, the State University of New York College at Cortland, and Vanderbilt University. Tab Content 6Author Website:Countries AvailableAll regions |
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