Overview

In The Things We've Seen, his most ambitious and accomplished novel to date, Agustin Fernandez Mallo captures the strangeness and interconnectedness of human existence in the twenty-first century. A writer travels to the small uninhabited island of San Simon, used as a Franquist concentration camp during the Spanish Civil War, and witnesses events which impel him on a wild goose chase across several continents. In Miami, an ageing Kurt Montana, the fourth astronaut who secretly accompanied Neil Armstrong and co. to the moon, revisits the important chapters in his life, from serving in the Vietnam War to his memory of seeing earth from space. In Normandy, a woman embarks on a walking tour of the D-Day beaches with the goal of re-enacting, step by step, another trip taken years before. Described as the novel David Lynch and W. G. Sebald might have written had they joined forces to explore the B-side of reality, The Things We've Seen is a mind-bending novel for our disjointed times. 'Some great works create worlds from which to look back at ourselves and recalibrate; The Things We've Seen takes the world as it is and plays it back through renewed laws of physics. Rarely has a novel left me with such new eyes, an X-ray view of the present.' - DBC Pierre, author of Meanwhile in Dopamine City

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9781913097301

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Reviews

'Mallo's imagination never falters. To stay with him means loosening all limitations we might wish to impose on a text. The reward is an audacious adventure.... This is, indeed, a dream of a book.' - Declan O'Driscoll, Irish Times 'Echoes, implosions and coincidences soon make us feel we are circulating in a single space-time of displacements and substitutions. Shapes, for example, repeat in different scales or contexts: the reservoir in Central Park has the outline of Iberia. The most bravura example of this form of paranoia - signs everywhere - is given to a Dali avatar who establishes a connection between the Twin Towers, the twin girls in the corridor of The Shining, the two columns of the pause icon on a screen, and (the narrator's later input) a line in one of Lorca's New York poems. It stays with you.' - Lorna Scott Fox, New Left Review 'There are certain writers whose work you turn to knowing you'll find extraordinary things there. Borges is one of them, Bolano another. Agustin Fernandez Mallo has become one, too. This novel, which ranges across the world and beyond it, is hugely ambitious in scope. It's a weird, recursive, paranoiac, funny, menacing and thrilling book.' - Chris Power, author of A Lonely Man 'Charmingly voracious and guided by fanatical precision and wit, Mallo ties the loose threads of the world together into intricate, charismatic knots. This is the expansive, omnivorous sort of novel that threatens to show you every thought you've ever had in a new and effervescent light, along with so many others you couldn't have dreamed.' - Alexandra Kleeman, author of Intimations 'Some great works create worlds from which to look back at ourselves and recalibrate; The Things We've Seen takes the world as it is and plays it back through renewed laws of physics. Rarely has a novel left me with such new eyes, an X-ray view of the present.' - DBC Pierre, author of Meanwhile in Dopamine City 'The most original and powerful author of his generation in Spain.' - Mathias Enard, author of Compass 'The Things We've Seen confirms Fernandez Mallo as one of the best writers in Spanish, with an absolutely unique style and fictional world.' - Jorge Carrion, New York Times in Spanish 'A strange and original sensibility at work - one that combines a deep commitment to the possibilities of art with a gonzo spirit and a complete absence of pretention.' - Christopher Beha, Harper's

'There are certain writers whose work you turn to knowing you'll find extraordinary things there. Borges is one of them, Bolano another. Agustin Fernandez Mallo has become one, too. This novel, which ranges across the world and beyond it, is hugely ambitious in scope. It's a weird, recursive, paranoiac, funny, menacing and thrilling book.' - Chris Power, author of A Lonely Man 'Charmingly voracious and guided by fanatical precision and wit, Mallo ties the loose threads of the world together into intricate, charismatic knots. This is the expansive, omnivorous sort of novel that threatens to show you every thought you've ever had in a new and effervescent light, along with so many others you couldn't have dreamed.' - Alexandra Kleeman, author of Intimations 'Some great works create worlds from which to look back at ourselves and recalibrate; The Things We've Seen takes the world as it is and plays it back through renewed laws of physics. Rarely has a novel left me with such new eyes, an X-ray view of the present.' - DBC Pierre, author of Meanwhile in Dopamine City 'The most original and powerful author of his generation in Spain.' - Mathias Enard, author of Compass 'The Things We've Seen confirms Fernandez Mallo as one of the best writers in Spanish, with an absolutely unique style and fictional world.' - Jorge Carrion, New York Times in Spanish 'A strange and original sensibility at work - one that combines a deep commitment to the possibilities of art with a gonzo spirit and a complete absence of pretention.' - Christopher Beha, Harper's

'Echoes, implosions and coincidences soon make us feel we are circulating in a single space-time of displacements and substitutions. Shapes, for example, repeat in different scales or contexts: the reservoir in Central Park has the outline of Iberia. The most bravura example of this form of paranoia - signs everywhere - is given to a Dali avatar who establishes a connection between the Twin Towers, the twin girls in the corridor of The Shining, the two columns of the pause icon on a screen, and (the narrator's later input) a line in one of Lorca's New York poems. It stays with you.' - Lorna Scott Fox, New Left Review 'Mallo's imagination never falters. To stay with him means loosening all limitations we might wish to impose on a text. The reward is an audacious adventure.... This is, indeed, a dream of a book.' - Declan O'Driscoll, Irish Times 'There are certain writers whose work you turn to knowing you'll find extraordinary things there. Borges is one of them, Bolano another. Agustin Fernandez Mallo has become one, too. This novel, which ranges across the world and beyond it, is hugely ambitious in scope. It's a weird, recursive, paranoiac, funny, menacing and thrilling book.' - Chris Power, author of A Lonely Man 'Charmingly voracious and guided by fanatical precision and wit, Mallo ties the loose threads of the world together into intricate, charismatic knots. This is the expansive, omnivorous sort of novel that threatens to show you every thought you've ever had in a new and effervescent light, along with so many others you couldn't have dreamed.' - Alexandra Kleeman, author of Intimations 'Some great works create worlds from which to look back at ourselves and recalibrate; The Things We've Seen takes the world as it is and plays it back through renewed laws of physics. Rarely has a novel left me with such new eyes, an X-ray view of the present.' - DBC Pierre, author of Meanwhile in Dopamine City 'The most original and powerful author of his generation in Spain.' - Mathias Enard, author of Compass 'The Things We've Seen confirms Fernandez Mallo as one of the best writers in Spanish, with an absolutely unique style and fictional world.' - Jorge Carrion, New York Times in Spanish 'A strange and original sensibility at work - one that combines a deep commitment to the possibilities of art with a gonzo spirit and a complete absence of pretention.' - Christopher Beha, Harper's

'Mallo's imagination never falters. To stay with him means loosening all limitations we might wish to impose on a text. The reward is an audacious adventure.... This is, indeed, a dream of a book.' - Declan O'Driscoll, Irish Times 'Echoes, implosions and coincidences soon make us feel we are circulating in a single space-time of displacements and substitutions. Shapes, for example, repeat in different scales or contexts: the reservoir in Central Park has the outline of Iberia. The most bravura example of this form of paranoia - signs everywhere - is given to a Dali avatar who establishes a connection between the Twin Towers, the twin girls in the corridor of The Shining, the two columns of the pause icon on a screen, and (the narrator's later input) a line in one of Lorca's New York poems. It stays with you.' - Lorna Scott Fox, New Left Review 'There are certain writers whose work you turn to knowing you'll find extraordinary things there. Borges is one of them, Bolano another. Agustin Fernandez Mallo has become one, too. This novel, which ranges across the world and beyond it, is hugely ambitious in scope. It's a weird, recursive, paranoiac, funny, menacing and thrilling book.' - Chris Power, author of A Lonely Man 'Charmingly voracious and guided by fanatical precision and wit, Mallo ties the loose threads of the world together into intricate, charismatic knots. This is the expansive, omnivorous sort of novel that threatens to show you every thought you've ever had in a new and effervescent light, along with so many others you couldn't have dreamed.' - Alexandra Kleeman, author of Intimations 'The most original and powerful author of his generation in Spain.' - Mathias Enard, author of Compass

'A narrative conception that transforms the reality of the past century into a fiction replete with unusual images combining poetry and science, history and politics. A moving structure animated by sporting ambitions, the novel traces out a tragicomic map of our contemporary world.' -- The jury of the Biblioteca Breve Prize 2018 'War Trilogy confirms Fernandez Mallo as one of the leading Spanish-language writers today, a master of a style and of a world each absolutely his own.' -- Jorge Carrion, New York Times in Spanish, Top 10 Novels of 2018 'One of the most significant Spanish novels of the last decade.' -- La Tercera 'War Trilogy is the Galician poet and novelist's most ambitious work to date. A novel of ideas that melds literary forms in order to discuss time, silence, and the itinerant, migrant character of all humankind, not to mention love. A map of the contemporary world.' -- Winston Manrique, WMagazine 'A gradual weaving together goes on between the triptych that forms the Trilogy, and a point comes at which the poetry of the whole dawns -- erupts -- on the reader. In that moment, the turbid layers of technology and discourse that occlude the past fall from your eyes. Somewhere between archaeologists and technophiliacs, and simultaneously bearers of all of Europe's long past, the characters in War Trilogy return from places where time stands still, as though they have been plunged into the void or some place where time simply does not pertain.' -- Clarin

Author Information

Agustin Fernandez Mallo was born in La Coruna in 1967, and is a qualified physicist. In 2000 he formulated a self-termed theory of 'post-poetry' which explores connections between art and science. His Nocilla Trilogy, published between 2006 and 2009, brought about an important shift in contemporary Spanish writing and paved the way for the birth of a new generation of authors, known as the 'Nocilla Generation'. His essay Postpoesia: hacia un nuevo paradigma was shortlisted for the Anagrama Essay Prize in 2009. In 2018 his long essay Teoria general de la basura (cultura, apropiacion, complejidad) was published by Galaxia Gutenberg, and in the same year his latest novel, The Things We've Seen, won the Biblioteca Breve Prize.

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