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OverviewA lively, critical study of one of the most important innovators, thinkers and directors in contemporary world theatre: Tadashi Suzuki. This book explores Suzuki's theatre practice and contains accompanying video content with practical Suzuki Method actor-training examples. For over forty years Tadashi Suzuki has been a unique and vital force in both Japanese and Western theatre, creating and directing many internationally acclaimed productions including his most famous production, The Trojan Women, which toured throughout the world. Dr Paul Allain, an experienced practitioner of the Suzuki Method, re-evaluates Suzuki's work, his development towards an international theatre aesthetic and his impact on performance all over the world. The accompanying video content covers an actor training session (featuring both novices and an experienced practitioner with over ten years of Suzuki training) showing the physical moves. ""Captures aspects of Suzuki's work with an insider's grasp of theatre-making - an informative and inspirational read"" From the foreword by Katie Mitchell. Full Product DetailsAuthor: Paul Allain (University of Kent, UK)Publisher: Bloomsbury Publishing PLC Imprint: Methuen Drama Dimensions: Width: 14.60cm , Height: 2.20cm , Length: 21.60cm Weight: 0.414kg ISBN: 9781408116432ISBN 10: 140811643 Pages: 226 Publication Date: 29 July 2009 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews'A lively, critical study of one of the most important innovators, thinkers and directors in contemporary world theatre.' * AS Magazine (Amateur Stage) (September 2009) * 'A lively, critical study of one of the most important innovators, thinkers and directors in contemporary world theatre.' AS Magazine (Amateur Stage) (September 2009) Author InformationPaul Allain is Professor of Theatre and Performance at the University of Kent. He took his doctorate at Goldsmiths, trained in Poland with the Gardzienice Theatre Association, and studied the Suzuki Method. He has worked as Movement Director for the RSC and National Theatre and has published extensively on Polish theatre, Chekhov and actor training. He is currently director of the British Grotowski Project and leading a research collaboration with the Moscow Art Theatre School. Tab Content 6Author Website:Countries AvailableAll regions |