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9781433112973

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Anyone interested in modern European naturalism and its legacy will want to read 'The Theatre of Naturalism'. It raises a number of important questions and challenges us to reconsider the contributions of this often undervalued movement. (Daniel Gerould, Lucille Lortel Distinguished Professor of Theatre and Comparative Literature, Graduate Center, City University of New York)

Anyone interested in modern European naturalism and its legacy will want to read `The Theatre of Naturalism'. It raises a number of important questions and challenges us to reconsider the contributions of this often undervalued movement. (Daniel Gerould, Lucille Lortel Distinguished Professor of Theatre and Comparative Literature, Graduate Center, City University of New York)

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Philip Beitchman received his Ph.D. in comparative literature from The City University of New York and teaches world literature at Medgar Evers College, The City University of New York. He is the author of I Am a Process with No Subject (1988); Alchemy of the Word: Cabala of the Renaissance (1998); and The View from Nowhere: Essays in Literature, Mysticism and Philosophy (2001). His many translations from the French include works by Jean Baudrillard (Simulations, Fatal Strategies) and Paul Virilio (Aesthetics of Disappearance).

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