Awards

• Winner of Choice Outstanding Academic Title 2019
• Winner of Choice Outstanding Academic Title 2019 (United States)

Overview

Named a Choice Outstanding Academic Title of the Year 2018 The Theatre of Eugene O'Neill offers a new comprehensive overview of O'Neill's career and plays in the context of the American theatre. Organised thematically, it considers his modernist intervention in the theatre, offers readers detailed analysis of the plays, and assesses the recent resurgence in his reputation and new approaches to staging his work. It includes a study of all his major plays—The Emperor Jones, The Hairy Ape, The Iceman Cometh, Long Day’s Journey Into Night, A Moon for the Misbegotten and Desire Under the Elms—besides numerous other full length and one act dramas. Eugene O’Neill is generally credited with inventing modern American drama, in a time of cultural ferment and lively artistic and intellectual change. Yet O’Neill’s theatrical instincts were always shaped by American stage traditions that were inextricable from his sense of himself and his own national culture. This study shows that his theatrical modernism represents not so much a break from these traditions as a reinvention of their scope and significance in the context of international stage modernism, offering an image of national culture and character that opens new possibilities for the stage while remaining rooted in its past. Kurt Eisen traces O'Neill's modernism throughout the dramatists's work: his attempts to break from the themes, plots, and moral conventions of the traditional melodramatic theatre; his experiments in stagecraft and theme, and their connection to traditional theatre and his European modernist contemporaries; the turn toward direct and indirect self-representation; and his critique of the family and of American 'pipe dreams' and the allure of success. The volume additionally features four contributed essays providing further critical perspectives on O'Neill's work, alongside a chronology of the writer's life and times.

Full Product Details

Author:   Professor Kurt Eisen (Tennessee Tech University, USA)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Weight:   0.445kg
ISBN:  

9781474238410

ISBN 10:   1474238416
Pages:   256
Publication Date:   16 November 2017
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

Preface Overview, Acknowledgments 1. O’Neill’s American Theatre: Modernism Against Modernity 2. A Modernist in the Making: O’Neill’s Early Plays Early works, The Glencairn plays, ‘Ile, Where the Cross is Made, Exorcism 3. Tragedy and the Post-Revolutionary Condition The Personal Equation, The Hairy Ape, Lazarus Laughed, The Hairy Ape, Days Without End, More Stately Mansions, The Iceman Cometh 4. New Women, Male Destinies: The “Woman Plays” Now I Ask You, The Straw, Diff’rent, Welded, “Anna Christie”, Strange Interlude, Dynamo, A Moon for the Misbegotten 5. “Souls under Skins”: Masks, Race, and the Divided American Self The Dreamy Kid, The Emperor Jones, All God’s Chillun Got Wings, The Fountain, Marco Millions, The Great God Brown, A Touch of the Poet 6. Transience and Tradition: O’Neill’s Modern Families The Rope, Beyond the Horizon, Desire Under the Elms, Mourning Becomes Electra, Ah, Wilderness!, Long Day’s Journey Into Night, Hughie 7. Critical and Performance Perspectives: O’Neill’s Emperor Jones: Racing The Great White Way, by Katie N. Johnson (Miami University of Ohio, USA) “O’Neill”: Biography, Autobiography, and Standing in for Eugene (G.) O’Neill, by William Davies King (University of California, Santa Barbara, USA) Tony Kushner’s O’Neill: Seeking Meaning on Marblehead Neck, by Sheila Hickey Garvey (Southern Connecticut State University, USA) The Literary O’Neill, by Alexander Pettit (University of North Texas, USA) 8. O’Neill After O’Neill Chronology Endnotes Bibliography Notes on Contributors Index

Reviews

"This addition to the ""Critical Companions"" series provides a comprehensive examination of Eugene O’Neill’s contributions as a dramatist and his critical role in establishing America’s modern theater … Eisen (Tennessee Tech Univ.) tracks historic and subtle contributions of producers, artists, scholars, political events, and the press, detailing O’Neill’s immense literary landscape and influence on Broadway and playwrights who came after him. Filled with insightful revelations from the historical perspective to present-day reflections, this study is certain to contribute to future critical debate. Summing Up: Essential. Upper-division undergraduates through faculty. * CHOICE *"

This addition to the Critical Companions series provides a comprehensive examination of Eugene O'Neill's contributions as a dramatist and his critical role in establishing America's modern theater. Breaking from literary and revolutionary idols August Strindberg and Friedrich Nietzsche, O'Neill carved a legacy, confronting familial and romantic morals and creating individual identities freed from societal constraints.Tension between the expository and representational dynamics necessary onstage made O'Neill's internal devices externally realized in experimental use of spoken interior monologues and masked characters. Finding absolution beyond the reach of love or adversity on sea or land, O'Neill mastered the novelistic approach, yet he revolutionized and returned to Aristotelian conventions to tell his mature stories in The Iceman Cometh and Long Day's Journey into Night. Against the backdrop of two world wars and a depression, O'Neill did not shy away from the racial divide and societal misfits, and he catapulted himself to theatrical popularity and literary prizes. Eisen (Tennessee Tech Univ.) tracks historic and subtle contributions of producers, artists, scholars, political events, and the press, detailing O'Neill's immense literary landscape and influence on Broadway and playwrights who came after him. Filled with insightful revelations from the historical perspective to present-day reflections, this study is certain to contribute to future critical debate. -- J. Artman, Chapman University * CHOICE *

Author Information

Kurt Eisen is professor of English and associate dean of the College of Arts and Sciences at Tennessee Tech University, USA, where he teaches courses in world literature and drama. He is the author of The Inner Strength of Opposites: O’Neill’s Novelistic Drama and the Melodramatic Imagination (1994), and his work has appeared in The Cambridge Companion to Eugene O’Neill, and a variety of journals. He was a fellow of the National Critics Institute in 2001 and is a past president of the Eugene O’Neill Society.

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