Awards

• Winner of Choice Outstanding Academic Title 2019
• Winner of Choice Outstanding Academic Title 2019 (United States)

Overview

Full Product Details

Author:   Professor Kurt Eisen (Tennessee Tech University, USA)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Dimensions:   Width: 13.80cm , Height: 1.60cm , Length: 21.40cm
Weight:   0.320kg
ISBN:  

9781350112490

ISBN 10:   1350112496
Pages:   256
Publication Date:   30 May 2019
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Preface Overview, Acknowledgments 1. O’Neill’s American Theatre: Modernism Against Modernity 2. A Modernist in the Making: O’Neill’s Early Plays Early works, The Glencairn plays, ‘Ile, Where the Cross is Made, Exorcism 3. Tragedy and the Post-Revolutionary Condition The Personal Equation, The Hairy Ape, Lazarus Laughed, The Hairy Ape, Days Without End, More Stately Mansions, The Iceman Cometh 4. New Women, Male Destinies: The “Woman Plays” Now I Ask You, The Straw, Diff’rent, Welded, “Anna Christie”, Strange Interlude, Dynamo, A Moon for the Misbegotten 5. “Souls under Skins”: Masks, Race, and the Divided American Self The Dreamy Kid, The Emperor Jones, All God’s Chillun Got Wings, The Fountain, Marco Millions, The Great God Brown, A Touch of the Poet 6. Transience and Tradition: O’Neill’s Modern Families The Rope, Beyond the Horizon, Desire Under the Elms, Mourning Becomes Electra, Ah, Wilderness!, Long Day’s Journey Into Night, Hughie 7. Critical and Performance Perspectives: O’Neill’s Emperor Jones: Racing The Great White Way, by Katie N. Johnson (Miami University of Ohio, USA) “O’Neill”: Biography, Autobiography, and Standing in for Eugene (G.) O’Neill, by William Davies King (University of California, Santa Barbara, USA) Tony Kushner’s O’Neill: Seeking Meaning on Marblehead Neck, by Sheila Hickey Garvey (Southern Connecticut State University, USA) The Literary O’Neill, by Alexander Pettit (University of North Texas, USA) 8. O’Neill After O’Neill Chronology Endnotes Bibliography Notes on Contributors Index

Reviews

This addition to the Critical Companions series provides a comprehensive examination of Eugene O'Neill's contributions as a dramatist and his critical role in establishing America's modern theater. Breaking from literary and revolutionary idols August Strindberg and Friedrich Nietzsche, O'Neill carved a legacy, confronting familial and romantic morals and creating individual identities freed from societal constraints.Tension between the expository and representational dynamics necessary onstage made O'Neill's internal devices externally realized in experimental use of spoken interior monologues and masked characters. Finding absolution beyond the reach of love or adversity on sea or land, O'Neill mastered the novelistic approach, yet he revolutionized and returned to Aristotelian conventions to tell his mature stories in The Iceman Cometh and Long Day's Journey into Night. Against the backdrop of two world wars and a depression, O'Neill did not shy away from the racial divide and societal misfits, and he catapulted himself to theatrical popularity and literary prizes. Eisen (Tennessee Tech Univ.) tracks historic and subtle contributions of producers, artists, scholars, political events, and the press, detailing O'Neill's immense literary landscape and influence on Broadway and playwrights who came after him. Filled with insightful revelations from the historical perspective to present-day reflections, this study is certain to contribute to future critical debate. -- J. Artman, Chapman University * CHOICE *

"This addition to the ""Critical Companions"" series provides a comprehensive examination of Eugene O’Neill’s contributions as a dramatist and his critical role in establishing America’s modern theater … Eisen (Tennessee Tech Univ.) tracks historic and subtle contributions of producers, artists, scholars, political events, and the press, detailing O’Neill’s immense literary landscape and influence on Broadway and playwrights who came after him. Filled with insightful revelations from the historical perspective to present-day reflections, this study is certain to contribute to future critical debate. Summing Up: Essential. Upper-division undergraduates through faculty. * CHOICE *"

Author Information

Kurt Eisen is professor of English and associate dean of the College of Arts and Sciences at Tennessee Tech University, USA, where he teaches courses in world literature and drama. He is the author of The Inner Strength of Opposites: O’Neill’s Novelistic Drama and the Melodramatic Imagination (1994), and his work has appeared in The Cambridge Companion to Eugene O’Neill, and a variety of journals. He was a fellow of the National Critics Institute in 2001 and is a past president of the Eugene O’Neill Society.

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