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OverviewAs labyrinthine as its namesake, Dorothea Lasky’s The Shining is an ekphrastic horror lyric that shapes an entirely unique feminist psychological landscape. Here, Lasky guides us through the familiar rooms of the Overlook Hotel, both realized and imagined, inhabiting characters and spaces that have been somewhat flattened in Stephen King’s text or Stanley Kubrick’s film adaptations. Ultimately, Lasky’s poems point us to the ways in which language is always haunted—by past selves, poetic ancestors, and paradoxical histories. Full Product DetailsAuthor: Dorothea LaskyPublisher: Wave Books Imprint: Wave Books Dimensions: Width: 20.90cm , Height: 1.30cm , Length: 14.60cm ISBN: 9781950268856ISBN 10: 1950268853 Pages: 96 Publication Date: 16 November 2023 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Not yet available  This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsContents Self Portrait in the Hotel Poetry Hates You Too Strange Humor A Lion High Ceilings Old Photo Food Court The Gold Ballroom Time Jeans The Trumpet Marriage Blue Christmas Old TV Twins Hunger The Mirror Red Airplane Vision Rugs Swimming Pool Man in the Window Red Rum Maze Perfume Blue Hallway The Bear Snow Maze A Lovely World The Ax The Green Maze After The Party Framed Pictures Closing Scene Going Through a MountainReviewsLaugh, cry, or shake your head, Lasky cuts to the chase. -Jeffrey Cyphers Wright, Brooklyn Rail If the essence is not in what she says, Lasky's poignancy is the result of subtle insights, both endearing and intuitive, suggested by what language leaves out. -Sophie Sills, Jacket2 She will force you to acknowledge the blackness of the blood pumping underneath your skin or the claustrophobia of loneliness, but she will not allow you to forget there is light, and that it can exist in knowing another person. -Kristen Evans, Rain Taxi Laugh, cry, or shake your head, Lasky cuts to the chase. —Jeffrey Cyphers Wright, Brooklyn Rail If the essence is not in what she says, Lasky’s poignancy is the result of subtle insights, both endearing and intuitive, suggested by what language leaves out. —Sophie Sills, Jacket2 She will force you to acknowledge the blackness of the blood pumping underneath your skin or the claustrophobia of loneliness, but she will not allow you to forget there is light, and that it can exist in knowing another person. —Kristen Evans, Rain Taxi Author InformationDorothea Lasky is the author, most recently, of Animal, published in 2019 in the Bagley Wright Lecture Series. She is also the author of five full-length collections of poetry Milk (Wave Books, 2018), Rome (Liveright/W.W. Norton, 2014), Thunderbird (Wave Books, 2012), Black Life (Wave Books, 2010), and AWE (Wave Books, 2007). She is also the author of six chapbooks: Matter: A Picturebook (Argos Books, 2012), The Blue Teratorn (Yes Yes Books, 2012), Poetry is Not a Project (Ugly Duckling Presse, 2010), Tourmaline (Transmission Press, 2008), The Hatmaker’s Wife (2006), Art ( H_NGM_N Press, 2005), and Alphabets and Portraits (Anchorite Press, 2004). She is the co-editor of Open the Door: How to Excite Young People About Poetry (McSweeney's, 2013), co-author of Astro Poets: Your Guides to the Zodiac (with Alex Dimitrov, Flatiron Books, 2019) and is a 2013 Bagley Wright Lecturer on Poetry. She holds a doctorate in creativity and education from the University of Pennsylvania, is a graduate of the MFA program for Poets and Writers at the University of Massachusetts-Amherst, and has been educated at Harvard University and Washington University. She has taught poetry at New York University, Wesleyan University, and Bennington College. Currently, she is an Associate Professor of Poetry at Columbia University's School of the Arts and lives in New York City. Tab Content 6Author Website:Countries AvailableAll regions |
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