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9781787385672

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'This in-depth, detailed and insightful investigation of the Islamic State's use of visual semiotics offers a highly sophisticated understanding of how photographic images can be used to transmit a certain authority in propaganda and its meaning-making.' -- Tahir Abbas, FRSA, FAcSS, Professor of Radicalization Studies, Institute of Security and Global Affairs, Leiden University

'The Terrorist Image offers an exhaustive and brilliant account of the Islamic State's use of photography to imagine, convey, and construct reality in view of its ideological and strategic goal(s).' -- E-International Relations '[T]his book is an excellent read given the prominent resort to images in jihadist communication and their powerful resonance... In a fast-evolving digital world, Winter shows how to deconstruct the ideas and the systems of meaning embedded in propaganda images.' -- International Affairs 'Everybody knows images matter, but few have studied them as deeply as Charlie Winter. Stop what you are doing and join him on this fascinating visual journey into the mind of the Islamic State.' -- Thomas Hegghammer, Senior Research Fellow, Norwegian Defence Research Establishment 'This in-depth, detailed and insightful investigation of the Islamic State's use of visual semiotics offers a highly sophisticated understanding of how photographic images can be used to transmit a certain authority in propaganda and its meaning-making.' -- Tahir Abbas, FRSA, FAcSS, Professor of Radicalisation Studies, Institute of Security and Global Affairs, Leiden University 'This brilliant and highly original analysis of how and why the Islamic State used cameras as weapons is indispensable for all who seek to understand the pull of militant jihad. It takes us into the heart of the meticulously constructed reality of the world's most propaganda-savvy jihadist terror group.' -- Elisabeth Kendall, Senior Research Fellow in Arabic and Islamic Studies, Oxford University 'A very insightful look at the photographic campaign of ISIS in its heyday. This will be an invaluable archive for years to come.' -- Kareem El Damanhoury, Assistant Professor, Department of Media, Film & Journalism Studies, University of Denver 'The meticulous work of one of the world's leading experts on the Islamic State and its propaganda machine. For everyone from scholars and policymakers to journalists and students, The Terrorist Image is essential reading.' -- Haroro J. Ingram, Senior Research Fellow, Program on Extremism, George Washington University

'This in-depth, detailed and insightful investigation of the Islamic State's use of visual semiotics offers a highly sophisticated understanding of how photographic images can be used to transmit a certain authority in propaganda and its meaning-making.' -- Tahir Abbas, FRSA, FAcSS, Professor of Radicalization Studies, Institute of Security and Global Affairs, Leiden University 'This brilliant and highly original analysis of how and why the Islamic State used cameras as weapons is indispensable for all who seek to understand the pull of militant jihad. It takes us into the heart of the meticulously constructed 'reality' of the world's most propaganda-savvy jihadist terror group.' -- Elisabeth Kendall, Senior Research Fellow in Arabic and Islamic Studies, Oxford University

Author Information

Charlie Winter is a senior research fellow at the International Centre for the Study of Radicalisation, King's College London. His PhD research, which was funded by Facebook, explored how violent extremists articulate meaning through visual propaganda. He also holds degrees in Arabic and Middle East Studies.

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