Overview

Why, beginning in the late 1960s, did expressive objects made by poor people come to be regarded as """"twentieth-century folk art,"""" increasingly sought after by the middle class and the wealthy? Julia Ardery explores that question through the life story of Kentucky woodcarver Edgar Tolson (1904-1984) and the evolving public reception of his poplar """"dolls."""" The Temptation presents a vivid chronicle of folk art's ascendancy in the late twentieth century, enlivened by the voices and opinions of diverse participants in the folk art scene. Drawing on in-depth interviews with collectors and dealers, museum and auction house officials, and Tolson's own family members and friends, the book traces a twenty-year tug-of-war over the definition, sale, and interpretation of folk art. Unlike earlier studies, Ardery's work also links the popularity of folk art to larger historical forces: the civil rights movement and the War on Poverty in Appalachia, government and corporate arts sponsorship, developments in arts education, and an expanded art market. Well illustrated and impeccably documented, The Temptation offers an engaging account of how a generation both reflected and reinforced its ideals through its fascination with crayon drawings, quilts, and wooden dolls. |The tug-of-war over the definition, sale, and interpretation of 20th-century American folk art is revealed through the life story of Kentucky woodcarver Edgar Tolson (1904-1984) and interviews with key players in the folk art scene.

Full Product Details

9780807847008

Table of Contents

Reviews

Absorbing. Appalachian Journal

Absorbing. Appalachian Journal A welcome addition to the still all-too-slim library of thoughtful studies on key contemporary folk artists.Lynda Roscoe Hartigan, National Museum of American Art, Smithsonian Institution YThe book's thoroughness and completeness of documentation are masterful. Louisville Courier-Journal YWritten with a true storyteller's skill and the objectives of a journalist and activist. American Quarterly YThis will be of interest to any folk art enthusiast or cultural historian. Folk Art Finder [Written] with a true storyteller's skill and the objectives of a journalist and activist. American Quarterly [This] will be of interest to any folk art enthusiast or cultural historian. Folk Art Finder A welcome addition to the still all-too-slim library of thoughtful studies on key contemporary folk artists.Lynda Roscoe Hartigan, National Museum of American Art, Smithsonian Institution [The book's] thoroughness and completeness of documentation are masterful. Louisville Courier-Journal

A welcome addition to the still all-too-slim library of thoughtful studies on key contemporary folk artists.<p>Lynda Roscoe Hartigan, National Museum of American Art, Smithsonian Institution

"Absorbing.""Appalachian Journal"" ÝThe book's¨ thoroughness and completeness of documentation are masterful.""Louisville Courier-Journal"" ÝThis¨ will be of interest to any folk art enthusiast or cultural historian.""Folk Art Finder"" ÝWritten¨ with a true storyteller's skill and the objectives of a journalist and activist.""American Quarterly"" A welcome addition to the still all-too-slim library of thoughtful studies on key contemporary folk artists.Lynda Roscoe Hartigan, National Museum of American Art, Smithsonian Institution ""A welcome addition to the still all-too-slim library of thoughtful studies on key contemporary folk artists.Lynda Roscoe Hartigan, National Museum of American Art, Smithsonian Institution"" [The book's] thoroughness and completeness of documentation are masterful.""Louisville Courier-Journal"" [This] will be of interest to any folk art enthusiast or cultural historian.""Folk Art Finder"" [Written] with a true storyteller's skill and the objectives of a journalist and activist.""American Quarterly"""

Author Information

Writer Julia S. Ardery, a sociologist, journalist, and poet, lives in Lexington, Kentucky.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available