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9781402208331

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Robert Ormsby received his Ph.D. from the University of Toronto in 2005. Besides essays on Canadian performances of classical drama (Toronto Slavic Quarterly, May, 2003; Shakespeare Bulletin, Summer 2004), his publications include Descriptive Entries of Folger Library collection prompt-books for Coriolanus productions by John Philip Kemble, Samuel Phelps and Henry Irving (The Shakespeare Collection) and a review of Shakespeare and the Force of Modern Performance by W.B. Worthen. (Renaissance Quarterly, Summer 2004). David Bevington is the Phyllis Fay Horton Distinguished Service Professor in Humanities at the University of Chicago. A renowned text scholar, he has edited several Shakespeare editions including the Bantam Shakespeare in individual paperback volumes, The Complete Works of Shakespeare (Longman, 2003) and Troilus and Cressida (Arden, 1998). He teaches courses in Shakespeare, Renaissance Drama and Medieval Drama. Peter Holland is the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. One of the central figures in performance-oriented Shakespeare criticism, he has also edited many Shakespeare plays, including A Midsummer Night's Dream for the Oxford Shakespeare series.

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