Overview
An essential investigation into the murky ethics of AI, one that calls into question the future of photography. Artificial Intelligence is driving a fourth industrial revolution and, as The Synthetic Eye shows, the centre will not hold. How can we believe or trust the images we are being shown? What role do photographers, the media and technology companies have in upholding the authenticity of photographs? Can synthetic imagery be utilized to enhance our understanding of our world? A revelatory roadmap of today's image universe, The Synthetic Eye explores how Artificial Intelligence has fundamentally transformed our sense of the real, the possible and the actual. Arranged into seven distinct chapters, it interrogates AI's engagement with history, how it has changed our understanding of reality, and the positive opportunities and dystopian scenarios that lurk beneath the surface of artificially generated images.
Full Product Details
Author: Fred Ritchin
Publisher: Thames & Hudson Ltd
Imprint: Thames & Hudson Ltd
Weight: 0.520kg
ISBN: 9780500297391
ISBN 10: 0500297398
Pages: 240
Publication Date: 27 February 2025
Audience:
General/trade
,
General
Format: Paperback
Publisher's Status: Active
Availability: In Print
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Reviews
An essential primer for mass visual literacy in the age of artificial intelligence.-- ""Art in America"" In this smart and searching book, [Fred Ritchin] explores the interaction between digital photography and artificial intelligence systems, which he sees as both positive and terrifying. . . . Ritchin accepts that being skeptical of all images is an obvious response to this creative fakery, but he also sees the potential for photography to reclaim and expand its role as an artform. . . . A thought-provoking study.-- ""Kirkus Reviews"" (3/15/2025 12:00:00 AM) Ritchin's goal with The Synthetic Eye leans toward exploration of the new possibilities AI presents for photography rather than bemoaning what it closes off. The book includes substantial portfolios of the results of his queries to DALL-E, DreamStudio, and other AI tools, and some of them are delightful and provocative, art in themselves... He points to his own concept of Four Corners, where an image online provides information about an image's backstory, authorship, links, and related imagery.-- ""Mark Athitakis, On the Seawall""
Author Information
Fred Ritchin is a writer, educator and critic. Currently the Dean Emeritus of the International Center of Photography (ICP) School, he was previously professor of photography and imaging at New York University's Tisch School of the Arts. He has worked as the picture editor of The New York Times Magazine (1978-1982) and created the first multimedia version of the New York Times newspaper (1994-95). He was nominated by the Times for a Pulitzer Prize in public service in 1997 for Bosnia: Uncertain Paths to Peace, a non-linear online photo essay that he conceived and edited. Ritchin's previous books include In Our Own Image: The Coming Revolution in Photography (1990), After Photography (2009) and Bending The Frame: Photojournalism, Documentary and the Citizen (2013). He continues to teach and lecture widely.
