|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Peter Szendy , Jan PlugPublisher: Fordham University Press Imprint: Fordham University Press Edition: New edition ISBN: 9780823283576ISBN 10: 0823283577 Pages: 160 Publication Date: 02 April 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsSydney Lectures 1. Money, or The Other Side of Images 3 2. The Point of (No) Exchange, or The Debt- Image 27 3. Innervation, or The Gaze of Capital 43 Additional Features Merchandise: Godzilla’s Eye 79 Deleted Scenes: Doors and Slide Changers in Pickpocket and Obsession 84 Deleted Scenes: Three Variations on Time and Money (Antonioni, De Palma, Bresson) 88 Photo Gallery: Blow- Up, or Why There Are No Images 92 Locations: 23, rue Bénard, Paris, 75014 99 Deleted Scene: The Fluctuations of the Unchained Camera (L’Herbier) 101 Deleted Scenes: The General Fetishism of the Marxes 103 Deleted Scenes: The Amortization of the Gaze (King Kong) 106 Formats: Surplus Definition (Redacted) 112 Credits 121 Notes 123 Index 155ReviewsThe Supermarket of the Visible brings together a Marxist critique of the political economy of the image with a celebration of the emancipatory power lurking in the cinematic frame. This unique project provides new possibilities for thinking non-reductively about the relationship between economy and visuality. It transcends the received wisdom to produce a series of unexpected interventions. -- Todd McGowan, author of The Impossible David Lynch A gifted writer with real pedagogical talent, Szendy knows just the appropriate dosage of theoretical fine points (which he makes with surgical precision) and shifts register as needed to quite accessible discussions of popular films and television. A significant contribution to our understanding of the image world we inhabit today. -- Suzanne Guerlac, University of California, Berkeley The Supermarket of the Visible brings together a Marxist critique of the political economy of the image with a celebration of the emancipatory power lurking in the cinematic frame. This unique project provides new possibilities for thinking non-reductively about the relationship between economy and visuality. It transcends the received wisdom to produce a series of unexpected interventions.---Todd McGowan, author of The Impossible David Lynch A gifted writer with real pedagogical talent, Szendy knows just the appropriate dosage of theoretical fine points (which he makes with surgical precision) and shifts register as needed to quite accessible discussions of popular films and television. A significant contribution to our understanding of the image world we inhabit today.---Suzanne Guerlac, University of California, Berkeley The Supermarket of the Visible brings together a Marxist critique of the political economy of the image with a celebration of the emancipatory power lurking in the cinematic frame. This unique project provides new possibilities for thinking non-reductively about the relationship between economy and visuality. It transcends the received wisdom to produce a series of unexpected interventions.---Todd McGowan, author of The Impossible David Lynch, A gifted writer with real pedagogical talent, Szendy knows just the appropriate dosage of theoretical fine points (which he makes with surgical precision) and shifts register as needed to quite accessible discussions of popular films and television. A significant contribution to our understanding of the image world we inhabit today.---Suzanne Guerlac, University of California, Berkeley, The Supermarket of the Visible transcends the received wisdom to produce a series of unexpected interventions. -- Todd McGowan, author of The Impossible David Lynch A gifted writer with real pedagogical talent, Szendy knows just the appropriate dosage of theoretical fine points (which he makes with surgical precision) and shifts register as needed to quote accessible discussions of popular films and television. A significant contribution to our understanding of the image world we inhabit today. -- Suzanne Guerlac, University of California, Berkeley Author InformationPeter Szendy (Author) Peter Szendy is David Herlihy Professor of Humanities and Comparative Literature at Brown University and musicological advisor for the concert programs at the Paris Philharmonie. His books include Of Stigmatology: Punctuation as Experience; All Ears: The Aesthetics of Espionage; Apocalypse-Cinema: 2012 and Other Ends of the World; Kant in the Land of Extraterrestrials; Hits: Philosophy in the Jukebox; and Listen: A History of Our Ears.. Jan Plug (Translator) Jan Plug is Professor of English at the University of Western Ontario. Among his other translations is Peter Szendy's Of Stigmatology: Punctuation as Experience. Tab Content 6Author Website:Countries AvailableAll regions |
||||