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OverviewUtilizing a wide range of theoretical and creative texts, Phillips offers an examination of subjectivity as considered, enacted, and embodied, through the frame of minimalist aesthetics. Provocatively, he makes the claim that lived experience is capable of being refined according to the paradoxically rich parameters of a minimalist aesthetic. Full Product DetailsAuthor: Thomas PhillipsPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2013 Dimensions: Width: 14.00cm , Height: 1.10cm , Length: 21.60cm Weight: 2.727kg ISBN: 9781349465620ISBN 10: 1349465623 Pages: 201 Publication Date: 18 December 2015 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction 1. Stirrings of Discontent: A Theoretical Context 2. Becoming Fiction: Sarraute, Stein, Hemingway 3. Carver, Sarraute, Toussaint 4. Echenoz, Fabre, DeLillo 5. Lights Camera Action 6. 'Mark the Music': Microsound and Becoming-Silence 7. The Masochistic Body 8. The 'Somaesthetic' Turn: Becoming-Minimal 9. On Virtue, Verbs, and the Virtual Conclusion and Post Script: On Being AbleReviews""This is a very well written, theoretically complex, and conceptually lucid work that wishes to analyze the intersection of aesthetic practices and the articulation of subjectivity: who we are and how we interact with the world and with ourselves. Phillips is equally sophisticated and successful in his analysis and deep probing of the texts at hand, whether they be philosophical, psychological, cultural, or artistic (literature, performance pieces, or music). The scope of the writing is far-reaching; the project is very ambitious; the mind behind the work is very sharp and insightful. Phillips proves his talents over and over again."" - Annabel Martín, Associate Professor of Spanish, Comparative Literature, and Women's and Gender Studies, Dartmouth College, USA This is a very well written, theoretically complex, and conceptually lucid work that wishes to analyze the intersection of aesthetic practices and the articulation of subjectivity: who we are and how we interact with the world and with ourselves. Phillips is equally sophisticated and successful in his analysis and deep probing of the texts at hand, whether they be philosophical, psychological, cultural, or artistic (literature, performance pieces, or music). The scope of the writing is far-reaching; the project is very ambitious; the mind behind the work is very sharp and insightful. Phillips proves his talents over and over again. - Annabel Martin, Associate Professor of Spanish, Comparative Literature, and Women's and Gender Studies, Dartmouth College, USA Author InformationThomas Phillips is an English Lecturer at North Carolina State University, USA. Tab Content 6Author Website:Countries AvailableAll regions |