Overview

This inquiry into the relationship between the “step” in dance and the “foot” in verse invites the reader into a tapestry woven by its crossed paths. A duel career as a dancer and as a poet allows the author to follow his interest in the dance origins of scansion and link it to how the foot connects lyric writing to an “exiled sense” through the felt tread of its rhythm. This is to rediscover the physical feeling of poetry; the fulcrum of a relationship that goes back to the Greek chorus, when every phrase was danced. The author shows how verse and the dance emerged together, as we initially developed bipedalism and speech. Written is a discursive style which allows the author to wander whenever digression seems appropriate, the book offers the reader an entertaining compendium of anecdotes, notions and quotes concerning the relation between our words and our movements. Walking in itself may have ushered in predication – syntax – putting one word in front of another as one put one foot in front of another. Did song emerge separately from language and stimulate ritual dance among women who linked their steps to sounds? The link of speech with movement is explored in ancient art, in theatre and in military drill and psychoanalysis. From the ballet to performance art, the author traces the evolution of recent creativity – free verse finding a parallel in M ick Jagger dancing freely on his own in the ‘60s while performance artists used the freedom of conceptual art to explore “action phrases” linking task-orientated movement with verbal articulation.

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9781903006122

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Anthony Howell was the founder and director of The Theatre of Mistakes - a performance company of the seventies noted for its work in galleries as well as in theatres - and is the co-author of Elements of Performance Art, the first compendium of performance exercise. He has performed at the Tate Gallery (London), at the Paula Cooper Gallery (New York) and at the Paris and Sydney Biennales, as well as at the Jeanetta Cochrane Theatre (London), the Theatre for the New City (New York) and the Théâtre Dejazet (Paris). Recently he created ""Commentary on Klein"" for London's Hayward Gallery. A Senior Lecturer in art and performance, he is the editor of Grey Suit: Video for Art and Literature, and for several years he has organised the performance festival ""Cardiff Art in Time"". He has also published a novel and seven books of poetry, and has lectured and performed at theatre festivals, at universities and at art galleries in Denmark, Serbia and Macedonia. He recently directed The Infernal Triangle at the ICA, London.

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