Overview

This study explores how Spanish American modernista writers incorporated journalistic formalities and industry models through the crónica genre to advance their literary preoccupations. Through a variety of modernista writers, including José Martí, Amado Nervo, Manuel Gutiérrez Nájera and Rubén Darío, Reynolds argues that extra-textual elements—such as temporality, the material formats of the newspaper and book, and editorial influence—animate the modernista movement’s literary ambitions and aesthetic ideology. Thus, instead of being stripped of an esteemed place in the literary sphere due to participation in the market-based newspaper industry, journalism actually brought modernismo closer to the writers’ desired artistic autonomy. Reynolds uncovers an original philosophical and sociological dimension of the literary forms that govern modernista studies, situating literary journalism of the movement within historical, economic and temporal contexts. Furthermore, he demonstrates that journalism of the movement was eventually consecrated in book form, revealing modernista intentionality for their mass-produced, seemingly utilitarian journalistic articles. The Spanish American Crónica Modernista, Temporality, and Material Culture thereby enables a better understanding of how the material textuality of the crónica impacts its interpretation and readership.

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9781611484687

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Reviews

Reynolds employs a material culture studies approach by reading the cronica through journalistic practices, while also drawing from sociological and poststructuralist theorists such as Deleuze and Bourdieu. His take on the cronica modernista is a valuable contribution to cronica studies that revises some of the current analytical commonplaces on the topic...[T]his is an ambitious book that steers clear from easy aners in favor of nuance, tension and even paradox. Its ambitious argument in favor of reintegrating the cronica into the world of turn-of-the-century journalism is provocative yet persuasive...[T]his is a book that puts forward excellent claims about the history of journalism and the always slippery definition of both the cronica and the modernista movement. Textos Hibridos

Reynolds employs a material culture studies approach by reading the cronica through journalistic practices, while also drawing from sociological and poststructuralist theorists such as Deleuze and Bourdieu. His take on the cronica modernista is a valuable contribution to cronica studies that revises some of the current analytical commonplaces on the topic....[T]his is an ambitious book that steers clear from easy aners in favor of nuance, tension and even paradox. Its ambitious argument in favor of reintegrating the cronica into the world of turn-of-the-century journalism is provocative yet persuasive...[T]his is a book that puts forward excellent claims about the history of journalism and the always slippery definition of both the cronica and the modernista movement. * Textos Hibridos *

Reynolds employs a material culture studies approach by reading the cronica through journalistic practices, while also drawing from sociological and poststructuralist theorists such as Deleuze and Bourdieu. His take on the cronica modernista is a valuable contribution to cronica studies that revises some of the current analytical commonplaces on the topic...[T]his is an ambitious book that steers clear from easy aners in favor of nuance, tension and even paradox. Its ambitious argument in favor of reintegrating the cronica into the world of turn-of0the-century journalism is provocative yet persuasive...[T]his is a book that puts forward excellent claims about the history of journalism and the always slippery definition of both the cronica and the modernista movement. Textos Revistas: Revista de Estudios sobre la Cronica LatinoAmericana

Author Information

Andrew R. Reynolds is assistant professor of Spanish at West Texas A&M University.

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