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Full Product Details

Author:   Paul N. Reinsch (Texas Tech University, USA) ,  Laurel Westrup (University of California, Los Angeles, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.420kg
ISBN:  

9781138325319

ISBN 10:   1138325317
Pages:   260
Publication Date:   28 February 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Introduction: Listening to Media Part 1: Case Studies 1. The Soundtrack in Transition: The Many Objects of Paul Simon’s One-Trick Pony 2. It’s a Kind of Soundtrack: Queen, Highlander, and the ""Unofficial Soundtrack Album"" 3. Super Fly and the Sound of Seventies Blaxploitation Cinema 4. Signifyin(g) on the Soundtrack Album? OutKast’s Idlewild Project Part 2: Brands 5. Learning from Sesame Street Soundtrack Albums 6. Creazioni Artistiche Musicali and Italian Cinema after World War II 7. King of the Whole Wide World: Elvis, RCA Camden, and the Non-Filmic ""Budget"" Soundtrack Album 8. Sing Along with Hitch: Musically Marketing the Master of Suspense Part 3: Formats 9. Fixing the Brand: The Sonic Branding of Adult Swim 10. Video Game Soundtrack Albums and the Digital Revolution 11. Tracking Hypernostalgia: Soundtrack Albums and the Return of the Cassette in American Film and Television Part 4: New Directions 12. Now—For Even Greater Enjoyment…The Home Movie Soundtrack Album 13. A Brief Hearing for the Unified Soundtrack Album"

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Author Information

Paul N. Reinsch is Associate Professor of Practice–Cinema in the School of Theatre & Dance at Texas Tech University. Laurel Westrup is a Continuing Lecturer with Writing Programs and the Honors Program at the University of California, Los Angeles.

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