Overview

The Silencing of Ruby McCollum refutes the carefully constructed public memory of one of the most famous—and under-examined—biracial murders in American history. On August 3, 1952, African American housewife Ruby McCollum drove to the office of Dr. C. LeRoy Adams, beloved white physician in the segregated small town of Live Oak, Florida. With her two young children in tow, McCollum calmly gunned down the doctor during (according to public sentiment) “an argument over a medical bill.” Soon, a very different motive emerged, with McCollum alleging horrific mental and physical abuse at Adams’s hand. In reaction to these allegations and an increasingly intrusive media presence, the town quickly cobbled together what would become the public facade of Adams’s murder—a more “acceptable” motive for McCollum’s actions. To ensure this would become the official version of events, McCollum’s trial prosecutors voiced multiple objections during her testimony to limit what she was allowed to say. Employing multiple methodologies to achieve her voice—historical research, feminist theory, African American literary criticism, African American history, and investigative journalism—Evans analyzes the texts surrounding the affair to suggest that an imposed code of silence demands not only the construction of an official story but also the transformation of a community’s citizens into agents who will reproduce and perpetuate this version of events, improbable and unlikely though they may be.

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9780813062402

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Reviews

An account of how the murder in Live Oak, Florida, of a powerful white man, physician, and politician, C. LeRoy Adams, by an African American housewife, Ruby McCollum, and the subsequent trial threatened to reveal the underbelly of southern society, all the dirty little and big secrets of the community and the region. During the trial, McCollum's voice was never allowed to be heard. . . . A superb study. --Journal of Southern History Bigger-than-life (and long-dead) characters . . . inhabit this fascinating story like haunted-house ghosts. --South Florida Sun-Sentinel An intriguing and compelling study of the race, gender, and class dynamics of segregated small-town Florida at mid-century. --Tampa Bay History Highly recommended. --Choice Evans uses the trial, which was covered by novelist Zora Neale Nurston, to examine the institutionalized silence that surrounded black women in the 1950s South. --Ms. Magazine A tour de force that locates the unique forms of control and persuasion enacted by southern culture, and their meaning for the writing of history and historical memory alike. . . . A tremendously successful and engaging book. --Florida Historical Quarterly Effectively shows how patriarchy and white supremacy . . . constructed a story and silenced McCollum and others to protect their community and its history. . . . Until now, the only memory of Ruby McCollum was a deliberately created one. --The Historian Reveals the powerful memory work accomplished by southerners' reticence or refusal to speak. . . . [and] demonstrates the rhetorical value of muteness and the scholarly value of looking at public memory as a product not only of stuff but also of absence. --H-net Reviews

Highly recommended. --Choice Evans uses the trial, which was covered by novelist Zora Neale Nurston, to examine the institutionalized silence that surrounded black women in the 1950s South. --Ms. Magazine An account of how the murder in Live Oak, Florida, of a powerful white man, physician, and politician, C. LeRoy Adams, by an African American housewife, Ruby McCollum, and the subsequent trial threatened to reveal the underbelly of southern society, all the dirty little and big secrets of the community and the region. During the trial, McCollum's voice was never allowed to be heard. . . . A superb study. --Journal of Southern History A tour de force that locates the unique forms of control and persuasion enacted by southern culture, and their meaning for the writing of history and historical memory alike. . . . A tremendously successful and engaging book. --Florida Historical Quarterly Effectively shows how patriarchy and white supremacy . . . constructed a story and silenced McCollum and others to protect their community and its history. . . . Until now, the only memory of Ruby McCollum was a deliberately created one. --The Historian Bigger-than-life (and long-dead) characters . . . inhabit this fascinating story like haunted-house ghosts. --South Florida Sun-Sentinel Reveals the powerful memory work accomplished by southerners' reticence or refusal to speak. . . . [and] demonstrates the rhetorical value of muteness and the scholarly value of looking at public memory as a product not only of stuff but also of absence. --H-net Reviews An intriguing and compelling study of the race, gender, and class dynamics of segregated small-town Florida at mid-century. --Tampa Bay History Effectively shows how patriarchy and white supremacy . . . constructed a story and silenced McCollum and others to protect their community and its history. . . . Until now, the only memory of Ruby McCollum was a deliberately created one. The Historian An intriguing and compelling study of the race, gender, and class dynamics of segregated small-town Florida at mid-century. Tampa Bay History Bigger-than-life (and long-dead) characters . . . inhabit this fascinating story like haunted-house ghosts. South Florida Sun-Sentinel Evans uses the trial, which was covered by novelist Zora Neale Nurston, to examine the institutionalized silence that surrounded black women in the 1950s South. Ms. Magazine Highly recommended. Choice An account of how the murder in Live Oak, Florida, of a powerful white man, physician, and politician, C. LeRoy Adams, by an African American housewife, Ruby McCollum, and the subsequent trial threatened to reveal the underbelly of southern society, all the dirty little and big secrets of the community and the region. During the trial, McCollum s voice was never allowed to be heard. . . . A superb study. Journal of Southern History A tour de force that locates the unique forms of control and persuasion enacted by southern culture, and their meaning for the writing of history and historical memory alike. . . . A tremendously successful and engaging book. Florida Historical Quarterly Reveals the powerful memory work accomplished by southerners reticence or refusal to speak. . . . [and] demonstrates the rhetorical value of muteness and the scholarly value of looking at public memory as a product not only of stuff but also of absence. H-net Reviews Highly recommended. Choice A tour de force that locates the unique forms of control and persuasion enacted by southern culture, and their meaning for the writing of history and historical memory alike. . . . A tremendously successful and engaging book. Florida Historical Quarterly

A tour de force that locates the unique forms of control and persuasion enacted by southern culture, and their meaning for the writing of history and historical memory alike. . . . A tremendously successful and engaging book. --Florida Historical Quarterly An account of how the murder in Live Oak, Florida, of a powerful white man, physician, and politician, C. LeRoy Adams, by an African American housewife, Ruby McCollum, and the subsequent trial threatened to reveal the underbelly of southern society, all the dirty little and big secrets of the community and the region. During the trial, McCollum's voice was never allowed to be heard. . . . A superb study. --Journal of Southern History An intriguing and compelling study of the race, gender, and class dynamics of segregated small-town Florida at mid-century. --Tampa Bay History Bigger-than-life (and long-dead) characters . . . inhabit this fascinating story like haunted-house ghosts. --South Florida Sun-Sentinel Effectively shows how patriarchy and white supremacy . . . constructed a story and silenced McCollum and others to protect their community and its history. . . . Until now, the only memory of Ruby McCollum was a deliberately created one. --The Historian Evans uses the trial, which was covered by novelist Zora Neale Nurston, to examine the institutionalized silence that surrounded black women in the 1950s South. --Ms. Magazine Highly recommended. --Choice Reveals the powerful memory work accomplished by southerners' reticence or refusal to speak. . . . [and] demonstrates the rhetorical value of muteness and the scholarly value of looking at public memory as a product not only of stuff but also of absence. --H-net Reviews

Effectively shows how patriarchy and white supremacy . . . constructed a story and silenced McCollum and others to protect their community and its history. . . . Until now, the only memory of Ruby McCollum was a deliberately created one. The Historian

Effectively shows how patriarchy and white supremacy . . . constructed a story and silenced McCollum and others to protect their community and its history. . . . Until now, the only memory of Ruby McCollum was a deliberately created one. <b><i>The Historian</i></b>

Author Information

Tammy Evans is an adjunct professor of composition at the University of Miami's Bradenton campus, USA.

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