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OverviewThe bestselling author of No Logo shows how the global free market has exploited crises and shock for three decades, from Chile to IraqIn her groundbreaking reporting over the past few years, Naomi Klein introduced the term disaster capitalism. Whether covering Baghdad after the U.S. occupation, Sri Lanka in the wake of the tsunami, or New Orleans post-Katrina, she witnessed something remarkably similar. People still reeling from catastrophe were being hit again, this time with economic shock treatment, losing their land and homes to rapid-fire corporate makeovers. The Shock Doctrine retells the story of the most dominant ideology of our time, Milton Friedman's free market economic revolution. In contrast to the popular myth of this movement's peaceful global victory, Klein shows how it has exploited moments of shock and extreme violence in order to implement its economic policies in so many parts of the world from Latin America and Eastern Europe to South Africa, Russia, and Iraq.At the core of disaster capitalism is the use of cataclysmic events to advance radical privatization combined with the privatization of the disaster response itself. Klein argues that by capitalizing on crises, created by nature or war, the disaster capitalism complex now exists as a booming new economy, and is the violent culmination of a radical economic project that has been incubating for fifty years. Full Product DetailsAuthor: Naomi KleinPublisher: Metropolitan Books Imprint: Metropolitan Books Dimensions: Width: 16.50cm , Height: 3.80cm , Length: 23.90cm Weight: 0.930kg ISBN: 9780805079838ISBN 10: 0805079831 Pages: 558 Publication Date: 18 September 2007 Audience: General/trade , General Format: Hardback Publisher's Status: Out of Stock Indefinitely Availability: Out of stock ![]() Table of ContentsReviewsPraise for No Logo : A movement bible. -- The New York Times Klein . . . takes the mounting anecdotal evidence and places it in an analytical context that is articulate, entertaining and illuminating. . . . Her Canadian perspective allows her a spacious view of the terrain that many U.S. critics, obsessed with empire, often lack. -- The Globe and Mail No Logo is an intelligently written and superbly reported account of a culture that has moved from selling products to hawking brands . . . A couple of chapters in, your mind is already reeling. Klein can write: favouring informality and crispness over jargon . . .convincing and necessary, clear and fresh, calm but unsparing. -- The Guardian A riveting conscientious piece of journalism and a call to arms. Packed with enlightening statistics and extraordinary anecdotal evidence, No Logo is fluent, undogmatically alive to the contradictions and omissions, and positively seethes with intelligent anger. -- The Observer Praise for No Logo : <br> A movement bible. <br>-- The New York Times <br> Klein . . . takes the mounting anecdotal evidence and places it in an analytical context that is articulate, entertaining and illuminating. . . . Her Canadian perspective allows her a spacious view of the terrain that many U.S. critics, obsessed with empire, often lack. <br>-- The Globe and Mail <br> No Logo is an intelligently written and superbly reported account of a culture that has moved from selling products to hawking brands . . . A couple of chapters in, your mind is already reeling. Klein can write: favouring informality and crispness over jargon . . .convincing and necessary, clear and fresh, calm but unsparing. <br>-- The Guardian <br> A riveting conscientious piece of journalism and a call to arms. Packed with enlightening statistics and extraordinary anecdotal evidence, No Logo is fluent, undogmatically alive to the contradictions and omissions, and positively seethes with intelligent anger. <br>-- The Observer Author InformationNaomi Klein is the award-winning author of the acclaimed international bestseller No Logo, which The Literary Review of Canada named one of the hundred most important Canadian books ever published. She is also the author of the essay collection Fences and Windows. With Avi Lewis, she co-created the documentary film The Take, which was an Official Selection of the Venice Biennale and won the Best Documentary Jury Prize at the American Film Institute's Film Festival in Los Angeles. She is a contributing editor for Harper's, a reporter for Rolling Stone, and writes a regular, internationally syndicated column. She has won the James Aronson Award for Social Justice Journalism. She is a former Miliband Fellow at the London School of Economics and holds an honorary Doctor of Civil Laws from the University of King's College, Nova Scotia. Born in Montreal, she now lives in Toronto. Tab Content 6Author Website:Countries AvailableAll regions |