The Shakespearean Comic and Tragicomic: French Inflections

Author:   Richard Hillman
Publisher:   Manchester University Press
ISBN:  

9781526144072


Pages:   248
Publication Date:   17 January 2020
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The Shakespearean Comic and Tragicomic: French Inflections


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Full Product Details

Author:   Richard Hillman
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 13.80cm , Height: 1.70cm , Length: 21.60cm
Weight:   0.467kg
ISBN:  

9781526144072


ISBN 10:   1526144077
Pages:   248
Publication Date:   17 January 2020
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements Textual notes 1 Theory, practice and genre: making room for France 2 Dreaming in French 3 French settings found and lost: Love's Labour's Lost and As You Like It 4 Late comedies tragically inflected: The Merchant of Venice, Measure for Measure, Twelfth Night 5 Tragicomedy - and beyond?: the view through French spectacles Works cited Index -- .

Reviews

'In sum, Hillman's The Shakespearean Comic and Tragicomic is a masterly study of intertextuality. It will become an important model for comparative literature specialists owing to its astute demonstration of evolving French and English theatrical forms and tastes. We are given a rich tapestry of ideas about narrative and dramatic romance circulating between France and England in the late sixteenth and early seventeenth centuries. Given the density of the argument deployed, the book should be savored over several sittings.' H-France Review -- .


'In sum, Hillman's The Shakespearean Comic and Tragicomic is a masterly study of intertextuality. It will become an important model for comparative literature specialists owing to its astute demonstration of evolving French and English theatrical forms and tastes. We are given a rich tapestry of ideas about narrative and dramatic romance circulating between France and England in the late sixteenth and early seventeenth centuries. Given the density of the argument deployed, the book should be savored over several sittings.' H-France Review 'This book provides valuable material for scholars interested in wide-ranging associations and influences. Its recalibration of French works in relation to Shakespeare's textual production (and Hillman 'sterm' inflections' is important in this respect) also makes the book an important intervention in comparative literary studies.' The Modern Language Review -- .


Author Information

Richard Hillman is Professor Emeritus in Renaissance Literature at the Universite de Tours, Centre d'tudes Superieures de la Renaissance, Tours, France

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