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OverviewFull Product DetailsAuthor: Richard HillmanPublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 13.80cm , Height: 1.70cm , Length: 21.60cm Weight: 0.467kg ISBN: 9781526144072ISBN 10: 1526144077 Pages: 248 Publication Date: 17 January 2020 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements Textual notes 1 Theory, practice and genre: making room for France 2 Dreaming in French 3 French settings found and lost: Love's Labour's Lost and As You Like It 4 Late comedies tragically inflected: The Merchant of Venice, Measure for Measure, Twelfth Night 5 Tragicomedy - and beyond?: the view through French spectacles Works cited Index -- .Reviews'In sum, Hillman's The Shakespearean Comic and Tragicomic is a masterly study of intertextuality. It will become an important model for comparative literature specialists owing to its astute demonstration of evolving French and English theatrical forms and tastes. We are given a rich tapestry of ideas about narrative and dramatic romance circulating between France and England in the late sixteenth and early seventeenth centuries. Given the density of the argument deployed, the book should be savored over several sittings.' H-France Review -- . 'In sum, Hillman's The Shakespearean Comic and Tragicomic is a masterly study of intertextuality. It will become an important model for comparative literature specialists owing to its astute demonstration of evolving French and English theatrical forms and tastes. We are given a rich tapestry of ideas about narrative and dramatic romance circulating between France and England in the late sixteenth and early seventeenth centuries. Given the density of the argument deployed, the book should be savored over several sittings.' H-France Review 'This book provides valuable material for scholars interested in wide-ranging associations and influences. Its recalibration of French works in relation to Shakespeare's textual production (and Hillman 'sterm' inflections' is important in this respect) also makes the book an important intervention in comparative literary studies.' The Modern Language Review -- . Author InformationRichard Hillman is Professor Emeritus in Renaissance Literature at the Universite de Tours, Centre d'tudes Superieures de la Renaissance, Tours, France Tab Content 6Author Website:Countries AvailableAll regions |