Overview
Lighting and shadows are used within a range of art forms to create aesthetic effects. Piotr Sadowski’s study of light and shadow in Weimar cinema and contemporaneous visual arts is underpinned by the evolutionary semiotic theories of indexicality and iconicity. These theories explain the unique communicative and emotive power of light and shadow when used in contemporary indexical media including the shadow theatre, silhouette portraits, camera obscura, photography and film. In particular, Sadowski highlights the aesthetic and emotional significance of shadows. The 'cast shadow', as an indexical sign, maintains a physical connection with its near-present referent, such as a hidden person, stimulating a viewer’s imagination and provoking responses including anxiety or curiosity. The ‘cinematic shadow’ plays a stylistic role, by enhancing image texture, depth of field, and tonal contrast of cinematic moments. Such enhancements are especially important in monochromatic films, and Sadowski interweaves the book with accounts of seminal Weimar cinema moments. Sadowski’s book is distinctive for combining historical materials and theoretical approaches to develop a deeper understanding of Weimar cinema and other contemporary art forms. The Semiotics of Light and Shadows is an ideal resource for both scholars and students working in linguistics, semiotics, film, media, and visual arts.
Full Product Details
Author: Dr Piotr Sadowski (Visiting Research Fellow, School of English, Trinity College Dublin, Trinity College Dublin, Ireland)
Publisher: Bloomsbury Publishing PLC
Imprint: Bloomsbury Academic
Weight: 0.585kg
ISBN: 9781350016149
ISBN 10: 1350016144
Pages: 288
Publication Date: 28 December 2017
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
This carefully crafted and beautifully illustrated book covers the topic comprehensively, culminating in a detailed and informative discussion of the classics of Weimar cinema. Piotr Sadowski's expert knowledge of cinema history - evident on every page - is seamlessly woven into a much broader cultural history of the treatment of the shadow in the visual arts - from Caravaggio to Caligari. -- Michael Kane, Lecturer in Literature and Cultural Theory, Dublin Business School, Ireland
Author Information
Piotr Sadowski is a lecturer in humanities in Dublin Business School, Ireland. He is also a Visiting Research Fellow in the School of English at Trinity College Dublin, Ireland. Sadowski studied English at the University of Warsaw. Since 1991 he lives in Dublin, currently teaching film and drama in Dublin Business School. He is the author of six academic books on systems theory of literature and communication, medieval literature and Shakespeare.
